宝莱坞机器人2.0:重生归来
8.0 |04月17日 |已完结
简介:
印度某市,所有人的手机突然被来自天空的神秘力量席卷吸走,手机销售大亨、电信运营老板、国家电信部高官等与手机相关的许多人相继离奇死去;城市上空,巨型变异鸟怪(阿克谢•库玛尔 饰)突然出现,大开杀戒,向所有手机用户宣战,民众陷入恐慌……  危机时刻,科学家瓦西博士(拉吉尼坎塔 饰)在美女助理妮娜(艾米•杰克逊 饰)的帮助下,一路追踪事件真相,但后果已无法挽回,能够拯救人类的唯一方法只有——重启机器人“七弟”,他将如何变身新一代超级英雄,与这股亦正亦邪的势力开启昏天黑地、脑洞大开的鏖战?......
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欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
陌生人的慰藉
947
8.0
已完结
陌生人的慰藉
8.0
更新时间:04月17日
主演:鲁伯特·艾弗雷特,娜塔莎·理查德森,海伦·米伦,克里斯托弗·沃肯
简介:情感关系已陷入僵局的科林(鲁伯特•艾弗雷特 Rupert Everett 饰)与玛丽(娜塔莎•理查德森 Natasha Richardson 饰),来到威尼斯度假,试图使他们慵懒无趣的生活有所改观。  一夜,他们邂逅了当地的罗伯特先生(克里斯托弗•沃肯 Christopher Walken 饰),他向这对陌生的恋人自揭童年的伤痕,并宣扬极端的男权主义。科林与玛丽感受到了某种难以名状的威胁,但对平淡生活的厌倦与追求刺激的心理,让他们不由自主地接受了罗伯特的邀请来到他家中。罗伯特的妻子卡洛琳(海伦•米伦 Helen Mirren 饰)向玛丽诉说着她与罗伯特复杂的虐恋关系,令玛丽的心理产生了一些暧昧的转变,加上这种不安的刺激,竟奇妙地重燃起她与科林之间久已熄灭的爱欲之火。  于是,与罗伯特夫妇再度相遇后,科林与玛丽不可自控地紧随而去,即便他们知道自己有可能会成为这段畸恋的祭品……  本片改编自英国小说家伊恩•迈克温的同名作品,由“新好莱坞”主将(作为马丁•斯科塞斯的金牌编剧而闻名于世)保罗•施拉德执导。
4832
1990
陌生人的慰藉
主演:鲁伯特·艾弗雷特,娜塔莎·理查德森,海伦·米伦,克里斯托弗·沃肯
故园风雨后
621
2.0
已完结
故园风雨后
2.0
更新时间:04月17日
主演:艾玛·汤普森,马修·古迪,本·卫肖,海莉·阿特维尔,迈克尔·刚本,格列塔·斯卡奇,托马斯·莫里森,安娜·梅德利,帕特里克·麦拉海德,约瑟夫·比蒂,罗杰·沃克,埃德·斯托帕德,菲丽希缇·琼斯,Geoffrey Wilkinson,詹姆斯·布雷肖,乔纳森·凯克,汤姆·弗拉席亚,苏珊·布朗,Michael Berendt,Giada Dobrzenska
简介:平民小伙子查尔斯·莱德(马修·古迪 Matthew Goode 饰)怀着一腔梦想进入牛津大学,不久便结识了引人注目的塞巴斯蒂安·弗莱特(本·卫肖 Ben Whishaw 饰),并和他成为好友。塞巴斯蒂安英俊得惊人,又出身豪门,生性满怀敏感和忧愁,他带着查尔斯进入自家豪宅——布赖兹赫德庄园,介绍他认识自己的家人,查尔斯很快迷恋上其姐茱丽叶(海莉·阿特维尔 Hayley Atwell 饰),但茱丽叶迫于母亲压力和天主教徒雷克斯(Jonathan Cake 饰)订婚,令查尔斯恋情无果,而塞巴斯蒂安对查尔斯的感情也只能止于暧昧。十年光阴过去,查尔斯已经是知名画家,在渡轮上偶遇茱丽叶,试图重续旧情再度失败,又得知塞巴斯蒂安已经远走国外。再度回到布赖兹赫德庄园,查尔斯已经是一名军官,大宅已经在战争中彻底破败……
1052
2008
故园风雨后
主演:艾玛·汤普森,马修·古迪,本·卫肖,海莉·阿特维尔,迈克尔·刚本,格列塔·斯卡奇,托马斯·莫里森,安娜·梅德利,帕特里克·麦拉海德,约瑟夫·比蒂,罗杰·沃克,埃德·斯托帕德,菲丽希缇·琼斯,Geoffrey Wilkinson,詹姆斯·布雷肖,乔纳森·凯克,汤姆·弗拉席亚,苏珊·布朗,Michael Berendt,Giada Dobrzenska
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