妈妈我爱你
6.0 |04月17日 |已完结
简介:
影片主要讲述了九十年代的北方小镇,痛失未婚夫的环卫工人王芳遇到一名女婴,她决定领养这个孩子,但却遭到父母的强烈反对。执意的王芳无视父母的感受选择离家出走。然而生活的苦难接踵而至,为了生活她选择省吃俭用,她含辛茹苦地把孩子抚养成人后却积劳成疾,她和孩子的未来再一次变得扑朔迷离……
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欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
精神错乱2020
706
4.0
已完结
精神错乱2020
4.0
更新时间:04月17日
主演:罗素·克劳,凯伦·皮斯托里斯,加布里埃尔·贝特曼,吉米·辛普森,奥斯汀·麦肯齐,朱丽叶·乔伊纳,斯蒂芬·路易斯·格拉什,安妮·雷登,德文·泰勒,西尔维娅·格雷丝·克里姆,维维安·弗莱明·阿尔瓦雷斯,萨曼莎·博利厄,露西·浮士德,谢丽尔·布朗,迈克尔·帕帕约翰,格蕾琴·科尔纳,唐娜·杜普兰提尔,布雷特·斯姆兹,安德鲁·莫尔加多,戈登·德克海默,蒂莫西·辛里奇斯
简介:瑞秋(凯伦·皮斯托里斯 Caren Pistorius 饰)和丈夫正在分居之中,目前由她独自抚养着年幼的儿子凯伊(加布里埃尔·贝特曼 Gabriel Bateman 饰)。离婚事宜的商讨令瑞秋心力交瘁,睡过头的她眼看着就要迟到,却不巧碰上了高速公路大堵车。  明明是绿灯,瑞秋却被停在她前面的一辆大卡车拦住了去路,失去耐心的瑞秋狂按喇叭,哪知道却惹恼了卡车司机(罗素·克劳 Russell Crowe 饰)。卡车司机命令瑞秋为她的不礼貌而道歉,瑞秋拒绝了,此时的瑞秋还并没有意识到,自己已经引火烧身。卡车司机是一名精神病患者,刚刚放火烧死了要同自己离婚的前妻一家子。他掉包了瑞秋的手机,开始对她进行人肉搜索和疯狂报复。
2720
2020
精神错乱2020
主演:罗素·克劳,凯伦·皮斯托里斯,加布里埃尔·贝特曼,吉米·辛普森,奥斯汀·麦肯齐,朱丽叶·乔伊纳,斯蒂芬·路易斯·格拉什,安妮·雷登,德文·泰勒,西尔维娅·格雷丝·克里姆,维维安·弗莱明·阿尔瓦雷斯,萨曼莎·博利厄,露西·浮士德,谢丽尔·布朗,迈克尔·帕帕约翰,格蕾琴·科尔纳,唐娜·杜普兰提尔,布雷特·斯姆兹,安德鲁·莫尔加多,戈登·德克海默,蒂莫西·辛里奇斯
超级经纪人
95
8.0
已完结
超级经纪人
8.0
更新时间:04月17日
主演:蔡卓妍,杜汶泽 Chapman To,高晟晖,王祖蓝,钟欣潼,何炅,谢霆锋,泳儿,霍汶希,张敬轩,张继聪,吴浩康,卢海鹏,郑希怡,陆永,车婉婉,张致恒,洛诗,思漩,庄洁梦,谢佳妤,许靖韵,张芷芊,王敏奕
简介:怪癖经纪人孙美美(蔡卓妍 饰)偷窥艺人东窗事发后被自己一手栽培的功夫明星剑龙(高云翔 饰)背弃,被同行抵触从而陷入事业最低谷;原收债公司恶霸麦超(杜汶泽 饰)机缘下接手一间小型模特经纪公司,转型成为经纪人,寄希望于公司艺人大红、一夜暴富。  模特们皆有令人跌破眼镜的别样才艺,为捧红她们,麦超使出浑身解数,先是率领众人将剑龙发布会搅的天翻地覆,与孙美美后台大过招;后是前往爱情动作片公司洽谈演艺合作,探寻行业晦涩面;更是唆使旗下艺人陪各色老板喝酒,却阴差阳错促成了富豪与女星的痴心爱恋。  在娱乐圈小试牛刀、胡乱翻腾一阵后,麦超着手实施专业造星大计划。他看中孙美美的工作能力,聘请她为这间经纪公司的首席经纪人。正处事业低谷的经纪人意外接到自己瞧不起的混混抛来的橄榄枝,在窘迫的经济状况面前,孙美美十分不情愿地出任了7个极度糟糕的女模特的经纪人。  由最初的游戏人生态度到认真地拾起捧红这几个女孩的梦想,一路发生各种啼笑皆非的故事,而麦超与孙美美之间的关系也在发生着微妙的变化。
2504
2013
超级经纪人
主演:蔡卓妍,杜汶泽 Chapman To,高晟晖,王祖蓝,钟欣潼,何炅,谢霆锋,泳儿,霍汶希,张敬轩,张继聪,吴浩康,卢海鹏,郑希怡,陆永,车婉婉,张致恒,洛诗,思漩,庄洁梦,谢佳妤,许靖韵,张芷芊,王敏奕
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