阴阳路

简介：

在这部六集纪录片系列中，六名纽约喷气机队球员及其搭档，包括奎宁和玛兰达·威廉姆斯以及阿利贾和杰西·维拉-塔克，讲述了 2024-25 年 NFL 赛季的故事。

简介：焦雷（杨志卿 饰）江湖人称“飞刀追魂”，功夫了得，而他的宿敌于远（井淼 饰）是乾坤剑名手，武功更是高强。两人的恩怨由来已久无法化解，心胸狭窄的焦雷甚至将矛头指向了于远的无辜家人，誓要将其灭门。　　在生死存亡的关键时刻，飞刀手杨青（罗烈 饰）出现并救下了于远的女儿于英（郑佩佩 饰），然而，当于英请求杨青助其为父报仇之时，杨青竟然提出了要同于英共度一休春宵的荒诞要求。尽管于英痛恨杨青的风流桀骜，但他是她唯一的希望和依靠，于英也只能忍气吞声，然而，随着时间的推移，于英渐渐发现了杨青正直可靠的一面，亦发现了杨青对自己的真挚感情。

简介：Following the journey of Ricky, a 25 year-old musician from Toronto, while he navigates the volatile terrain, and overcomes personal adversity.

简介：

因为一场车祸，从小在孤儿院长大的铭恩失去了记忆，跟她一起长大的天心冒充她成为了上流社会的千金小姐，而其后铭恩在阴差阳错之下成为了天心的佣人。天心担心真相暴露，对铭恩百般欺侮。其间，名流公子楚平爱上了铭恩，终于帮助她寻找回失去的记忆…

简介：

BB30包有为是城中籍籍无名的年青律师,为人极富正义感,实际上,开业以来他未曾胜过一场官司.反而他的憨直,冲动和间歇性精神紧张却令他陷入律师会的纪律调查之中.这次调查他邂逅了美丽的郑可爱医生.可惜这次邂逅却不美丽.因为郑以她的专业判断,对包作出不利的医学供词,导致二人产生一连串误会和冲突.另一方面,健康舞教师Susan一直痴恋包,不时施展柔情攻势,更安排一场必胜官司,务求讨得其欢心.而Susan裙下一大醋臣沙展巫,自然遇憨男,搞出笑话连篇.包的好友兼损友龙虎豹偶然知道包看上了郑的座驾"BB30". (内容简介来自VCD)

简介：聪慧而又时尚的师范毕业生曾子颖，阴差阳错的来到了北部湾海港漂浮小学当了名小学老师，想要尽快调回大城市的她，无奈之下只得答应镇长，到大海中一座几乎没有人烟的孤岛去教学一段。岛上只有一个叫游游的学生，他和为了保护这里的候鸟和自然环境而绝不搬迁的爷爷生活。因为游游常年不与外界交流，大家都以为游游是一个哑巴。一心要让经济腾飞的镇长要铲掉候鸟的家园红树林建虾塘，而阿公坚持认为红树林就是白鹭的家园，要是毁了红树林，也就彻底地毁了候鸟白鹭的家，阿公一家几代人都在维护着这个小岛，不能让这些（鹤）无家可归。曾子颖的到来，并没引起游游的热情，相反师生二人却天天为了上课面红耳赤。但慢慢的曾老师发现了游游的很多优点，特别是对白鹭鸟和大自然的感情。曾老师也逐渐地被感染了，两人建立起了很深的感情。在曾老师离开时候，游游大声而又很艰难地背诵出了“两个黄鹂鸣翠柳，一行白鹭上青天……”。此时的曾老师再也割舍不下了“哑吧”学生游游和岛上的一切……

简介：

基特（亨利·戈尔丁 Henry Golding 饰）年幼时跟随着父母躲避战火，一家人从越南前往英国，之后就再也没有回去过。一晃眼三十年过去，基特的父母早就双双离开了人世，基特带着两人的骨灰打算返回越南，让双亲的魂魄能够在故乡的土壤里安息。

简介：CIA（美国中央情报局）探员汤姆•毕晓普（布拉德•彼特饰）在远东某国执行任务失败，随即被当局逮捕，并将于24小时内被执以死刑。此时远在美国，汤姆的搭档，CIA探员内森 D.缪尔（劳勃·瑞福饰）正在为营救汤姆而游说CIA高层。因为涉及国际纠纷，CIA高层偏向牺牲汤姆而换取局势的和平，而内森则认为搭档的生命更加重要。内森与高层吵得不可开交，而在牢狱中的汤姆，回想过去，他与内森一同执行的一个个人物如走马灯般在眼前重现。一对亲密无间的搭档，一段CIA探员的心路历程。汤姆•毕晓普，一个平凡普通的CIA探员形象愈发清晰。他能得救吗？

简介：

为广泛、深入、高起点地宣传推介我国农产品地理标志，《源味中国》纪录片从农业部已登记的全国地理标志农产品中精选出最具中国特色的农产品，六大摄制组跨越千山万水拍摄两年多，实地采访了25个省份的300多个县乡镇村，以影视语言记录了中国各地最具地域特色的食材及其背后的山川、地理、生态、人文故事，制作出七集《源味中国》纪录片节目，让亿万观众跟随纪录片镜头，在如画的江山和浓浓的乡愁中，品味这片孕育了华夏五千年文明的土地所滋养出来的源味中国。

简介：

都市中五个婚爱观截然不同、年龄亦差异较大的女人：在保守环境中长大的章迎（梅婷）人已28岁，却从未尝恋爱滋味，发誓要把贞操留到与心爱的男人结婚那夜；小章迎几岁的“白骨精”（李小璐）性情泼辣，一心要找钻石王老五下嫁；“白骨精”的好姐妹是位“富家女”（小宋佳），为找到真心待她的男人，将自己扮成为生活打拼的普通女孩；大章迎几岁的叶（邬君梅）被丈夫抛弃，携子过着惨淡的日子，十分渴望身边能有个男人作支撑；人过50的高姐（元秋）则主动将嫌她是黄脸婆的丈夫踢下床，但过了一年多单身生活后，也想身边再有个男人。

简介：

《山炮计中计》讲述了一个豪华度假酒店的保安秦大力，老家就在隔壁省的一个乡村，每天都循环着固定的工作，最近由于表现不错，公司给他个小长假，于是他决定回家，但是想到这么简单的回去太丢人，于是自导自演的变了一个身份，却发生了一系列狗血的囧事。

简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.