飙速宅男

简介：来自于小镇的年轻女孩小露（艾米莉亚·克拉克 Emilia Clarke 饰）应聘成为了一名看护，她所要照顾的对象，是一位名叫威尔（山姆·克拉弗林 Sam Claflin 饰）的男子。曾经的威尔家境优渥，热爱自由，喜欢到世界各地冒险，然而，一场可怕的车祸粉碎了他的脊椎，使他四肢瘫痪，这也就意味着，威尔漫长的下半生只能在轮椅上度过了。　　就这样，小露在误打误撞之中开始了和威尔的共同生活，但威尔很快就发现，小露和之前的看护们截然不同，个性大大咧咧的她从来不会对自己的伤痛避而不谈，但正是这种直面惨淡的勇气给威尔带来了不一样的感觉。在小露的陪伴下，威尔开始渐渐重新体味到了快乐的感觉，小露的坚强亦让威尔开始认真思考起自己的未来。

简介：校园屌丝宫亦飞追求女神林梦怡遭拒绝，花重金求导演朋友老A拍戏帮自己，他和林梦怡饰演男女一号准备日久生情，然后双宿双飞，没想到适得其反，女神越发讨厌自己，这一切被暗恋他的理工屌丝女吕晶晶看在眼里、痛在心里，开始改头换面打扮自己。被林梦怡再次拒绝的宫亦飞伤心的跑到海边散心，遇到神秘小魔女赠予他三颗“爱情后悔药”，服用后变超能男神，林梦怡反过来追自己，两人陷入恋爱。吕晶晶处处对宫亦飞示好，奈何他已心在林梦怡处。这时，吕晶晶无意间发现小魔女的诡计，舍命救了宫亦飞···

简介：梧桐中学高二十八班是远近闻名的问题班级，后进生、艺术生、体育生、不良少年聚集在此，以宋宸（柯焱曦 饰）为首的男生帮派和以秦淼淼（熊婧文 饰）为首的女生帮派互相不服，班级混乱无序。一天，高二十八班收到了一封信，这封信自称是由一年后的他们集体寄来。信上说，即将调来的班主任谭 睿明（秦海 饰）会改变十八班，成为对他们最重要的人。然而在一年后的未来，谭老师却永远地离开了他们。为了实现一段没有遗憾的青春，扭转历史，少年们决定按照信上所说，挑战一个个不可能实现的任务...

简介：在地产霸权、官商勾结、贫富悬殊……成为主旋律的社会，有人选择沉默，有人执意抗争。辍学硕士生朗（关楚耀 饰）胁持炸弹械劫银行，打算控诉社会劫富济贫。不料出口被意外炸毁，朗与人质──因眼疾而事业止步的警探健豪（黄贯中 饰）、职场情场上埋没诚信的银行职员韵怡（谢安琪 饰）、痴心错配的失婚贵妇Rebecca（陈美琪 饰）和诲人不倦但被时代淘汰的退休教师德叔（泰迪罗宾 饰），被困俨如密室的银行。五段浮城哀歌相互交织，令案件何去何从？这五个一触即发的炸弹，将成为重新出发的新起点，还是使他们走上命途终站？

简介：给你一个三分钟，你会拍出怎样的电影？　　本片由35位知名导演，为庆祝戛纳电影节六十周年而拍摄的三分钟短片组成。细心的你会发现，在此短篇集中不仅有众多知名演员的参演，更有著名导演的客串演出。这短暂的三分钟光影，不仅浓缩了精妙的生活片段，更有每位导演对电影、对人生的深刻体悟。 或温情或冷峻或真实或迷幻，人生何止五味，《每个人都有他自己的电影》如是说，你的呢？

简介：半熟年纪，是人生最危险的时期…… 　从重案组被调往「明灯计划」的女警程姐（陈昭昭），其首项任务是辅导榕榕、大家乐和摇摇三位问题少女。 榕榕的姐姐蒽猪男友肥佬贩毒维生，引起警方注意....

简介：奈莉（艾曼纽·贝阿 Emmanuelle Béart 饰）和男友相恋多年，死心塌地的想要和这个男人携手步入婚姻的殿堂。然而男友实为好吃懒做之人，为了维持生计，奈莉不得不奔波在街头，靠着打零工的收入养家，心中不免充满了愤恨。　　一次偶然中，奈莉结识了名为阿尔诺（米歇尔·塞罗 Michel Serrault 饰）的男子，阿尔诺是一名德高望重的法官，两人相谈甚欢。阿尔诺聘用了奈莉，任命她为自己的私人助理，给与其丰厚的报酬，奈莉更是因此邂逅了风流潇洒的出版商文森特（让·雨果·安格拉德 Jean-Hugues Anglade 饰）。一来二去之间，奈莉和文森特之间碰撞出了激情的火花，但与此同时，奈莉发现阿尔诺竟然亦对自己抱有别样的感情。

简介：Christy刚被男友阿勇抛弃，她一向以为失恋的女人一如大减价的货品，身价暴跌，这时要尽快觅得男人填补空虚，令身价止跌回升。失恋后，她认识了商人Johnny和速递员明仔。两个男人的背景迥异，令Christy受宠若幸，不知如何取舍。一次Christy跌倒受伤，就在她最需要男人在身傍安慰的时候，两个男人都暴露出自身的缺点。Christy省悟女人最忌在软弱时做决定，应该从容面对感情得失，自我增值才是女人避免身价贬值的最佳灵药。Helena的丈夫Jason常出外公干，但Helena却不能忍受丈夫以事业为重，忽略关怀自己。Helena逐渐变得神经质，常疑心丈夫有外遇，夫妻间渐生磨擦。寂寞的Helena在酒吧内认识了风度翩翩的Keith，Keith生活正常，乐于报告行踪，有齐Helena丈夫没有的优点，令Helena不自禁地开始了一段婚外情。Keith买了Helena喜欢的心口针上门，想给Helena一个惊喜，谁知开门的却是提早公干回港的Jason。神经质的Helena回到家里，发现丈夫与情夫同场，生怕奸情被揭穿，愈来愈心慌，情绪进入竭斯底里的疯狂状态，语无伦次，跑到厨房拿起刀企图自杀。Helena被Keith一手夺刀及拥抱，Keith拥抱全身战抖的Helena，二人羞愧地回望Jason。Jason洞悉了妻子的奸情，却本着一份真诚的爱，向Helena回报宽恕的目光。Helena这才省悟，幸福原来早就在身边......

简介：故事以皇上怀疑朝中有人勾结扶桑企图叛国，故派包拯继续以密探身份查清案情，从而引出了一系列迷雾重重、离奇诡异的案件，讲述了陈键锋饰演的包拯见招拆招、剥丝抽茧，最终牵出幕后主使，维护国家百姓安全的故事。

简介：韓順雲，一個大學學務處雇員退休的未婚老婦，伴隨她生活的是年邁的老母。兩個女人看似彼此相互折磨，更像是支撐對方繼續活下去的唯一依賴。有一天，她居然被兩個半夜潛入的小鬼強暴了。原因竟是因為她的母親……

简介：格雷姆（西蒙·佩吉 Simon Pegg 饰）与克莱夫（尼克·弗罗斯特 Nick Frost 饰）是一对来自英国的极客好友，每天生活中充斥着外星人事件、漫画故事、科幻点子，今次又跑到美国来参加漫展，顺道探访外星人爱好者圣地：内华达州51区，没想到在路上偶遇一个真正的外星  人——60年前被困在地球，又被科研基地囚禁研究，而今终于逃出来的保罗（塞斯·罗根 Seth Rogen 配音）。不出所料的是，保罗长得一副ET样，超能力一流，而出乎他们意料的是，保罗是个满口美式俏皮话和脏话的“痞子”外星人，三个难兄难弟走上“帮保罗回家”的路途，后面紧追不舍的是国土安全局探员佐尔（杰森·贝特曼 Jason Bateman 饰）和他的笨搭档，一心想抓保罗回研究基地……　　本片是英国金牌喜剧搭档西蒙·佩吉和尼克·弗罗斯特继《僵尸肖恩》和《热血警探》之后再度爆笑合作。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.