所以……和黑粉结婚了

简介：12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：一群即将毕业的大学生，相约前往一个度假村游玩，作为自己的毕业旅行，当众人安顿下来准备好好放松时，却遭遇了一系列离奇的灵异事件。已经意外身亡的男主人公苏亮的初恋女友尹飘飘再度出现在大家的视野中，并对昔日的好友们展开血腥屠杀，众人惊慌逃脱时发现一个惊人秘密，可是死亡的脚步紧随其后，诅咒无法破解，濒临绝境的众人开始一场惊心动魄的逃杀之旅。

简介：1992年9月的一天，面的司机发子（谢东 饰）开车接下夜班的女友，女友的衣衫不整令发子心生疑虑，他撇下急待解释的女友忿忿下楼。在楼下，巧遇错过班车的大提琴手英子（孔琳 饰），他送完英子发现其传呼机遗忘在自己车上，上面显示要他把呼机送到某地，不料此时一弱智儿童被人撞倒，发子赶忙送孩子去医院，被撞孩子的父母误以为发子是肇事者，不让他离开医院，正做家教的英子闻讯赶到医院为发子解了围。发子要请英子吃饭答谢，此刻俩男人上车说要去某某地方，车行至僻静处，俩人露出劫匪面目，发子赶紧用钱打点。事后越想越窝囊，决心和英子找到这俩可恶的歹徒......

简介：银河捕猎者追捕星河里面最危险的异形一直追到地球，结果地球人被这两种强大的种族夹在中间..

简介：明末时期，巡抚魏拯（潘虹 饰）整日花天酒地、纸醉金迷，一方百姓生活在水深火热之中。魏女秋兰（刘赫男 饰）早年丧母，自幼习武，长大后与武师丁守忠（刘涛 饰）相爱。魏拯闻讯将丁逐出魏府，丁在好友秦一贺（田少军 饰）巧计相助下，与秋兰结为秦晋之好。沉迷女色的魏拯看中天生丽质的白妙香（高远 饰），要娶其为八姨太。而白与秦一贺自幼青梅竹马且已订婚，白以有夫之妇名义上书皇帝，秦则男扮女装嫁入魏府。丁守忠与起义领袖雷鸣（张王海 饰）可谓不打不成交，俩人在搏杀中成为生死之交。亲差大臣吴青（俞立文 饰）将外甥女秋兰许配给替夫赶考女扮男装的新科状元白妙香。骄奢淫逸的魏拯携众妾游山玩水，又发生了一连串荒诞不经的故事......

简介：과거 대부호였던 왕할머니의 대저택에 숨겨진 보석을 훔치기 위해 간병인으로 입주하게 된 보영. 보영을 고용한 왕할머니의 유일한 혈육인 김사모는, ‘아무도 데려오지 말 것, 특히 아이’, ‘저수지 근처에 가지 말 것’이라는 조건을 건다. 하지만 보영은, 금기를 깨고 자신의 딸 ‘다정’을 몰래 데리고 가는데... 사람 죽어 나가는 ‘귀못’이라고 불리는 저수지 옆에 위치한 왕할머니의 거대한 저택에선 불길하고 괴이한 징조가 계속되고, 그러던 중 보영은, 이곳을 찾은 외지인들이 의문의 변사를 당한 것을 알게 된다.

简介：《幸福的国家》（韩语：행복의 나라，英语：The Land of Happiness）是一部即将上映的韩国剧情片，由《光海，成为王的男人》导演秋昌民执导，曹政奭、李善均、刘宰明主演。该片讲述一位律师为拯救卷入动摇现代史事件中的一个人物而全力以赴的故事，计划2023年在韩国上映。

简介：In small czech town named Jilemnice live unfortunate, but brave and jovial woman Štěpa Kiliánová, whose only desire was to fill the void in her virgin life. In despair and excessive trust, she married a sardonic, reclusive man, former lieutenant and gambler Pavel Malina, whose only wish was finally found peace and forgetting the past. They lived through unrequited love, dislike and disappointment. But no one knew that her groom begin to show signs of cerebral disease, which in the coming years engulf his sanity.

简介：信仰的世界天翻地覆之后，她发现她深爱的父亲死了。当神秘诱人的娘娘腔的青年成为她的曲棍球教练，找到一个富有同情心的精神信仰和急需的母亲形象。她不知道茜茜是一个古老的巫师家族，以一个古老的樱桃树的果实在一个秘密的仪式，恢复生命的死亡和垂死的头。向一个孩子交换医治她的父亲，茜茜罢工讨价还价与信念，她忽然发现自己怀上了孩子，以惊人的速度增长。但随着孩子的出生滴答滴答的时钟和人类越来越明显的娘娘腔的计划的真实意图，信念和她的父亲必须站在一起，为了拯救自己的生命。

简介：健身房经理卢（克里斯汀·斯图尔特 Kristen Stewart 饰）爱上了健美运动员杰姬（凯蒂·M·奥布莱恩 Katy M. O'Brian 饰），后者来到拉斯维加斯追寻健美梦想。她们卷入了一个暴力事件，背后正是卢的父亲缔造的犯罪网络。

简介：好莱坞早在1968年就拍摄了这一取材于法国作家皮埃尔.鲍李（Pierre Boulle）的著名同名科幻小说的电影，在当时，影片以其构思奇特的情节、精妙真的化装技术以及令人出乎意料甚至颇感震撼的结局而大受欢迎，也催生了其后的四部续集和两部电视剧集的诞生。　　影片要素：　　两千年后的地球，上校乔治.泰勒（Colonel George Taylor），和他的战友们，以佐斯博士（Dr. Zauis）为首的残暴的星球统治者，善良的同情人类的猿族夫妇兹瑞和考尼斯（Zira and Cornelius）和他们的儿子凯撒（Caesar），猿族，人类　　影片资料：　　《人猿星球》（Planet of the Apes） 1968年 乔治的飞船误入两千年后的地球并失事，在善良的猿族夫妇兹瑞和考尼斯的帮助下，他逃出了猿族的监牢，但猿族首领佐斯博士并没打算放过他...　　《失陷猩球》（Beneath the Planet of the Apes） 1970年 前来搜寻乔治的飞船再次失事在星球上，新加入的战友和乔治联手去阻止猿族对人类的杀戮。　　《逃离猩球》（Escape from the Planet of the Apes） 1971年 帮助人类的猿族夫妇兹瑞和考尼斯这回自身难保，他们的飞船坠毁在1973年的地球，人类发现了未来猿族将要统治人类，瑞兹肚里的小猿孩能存活吗？人们将怎么对待他们这对会说话的猿族？　　《猩球征服》（Conquest of the Planet of the Apes） 1972年 上集中猿族夫妇最终没能逃脱人类毒手，但他们的孩子凯撒却在善良的马戏团主里卡多（Ricardo Montalban）的保护下长大了，1983年，来自外太空的病毒使猫狗灭绝了，人类开始以会说话的猩猩作为宠物，但他们的遭遇却比猫狗惨得多，1991年，在凯撒的领导下，日益聪明的猿族，即猩猩（Orangutans）、黑猩猩（Chimps）和大猩猩们（Gorillas）联合起来反抗了，人类能镇压这场猿族的革命吗？　　《决战猩球》（Battle for the Planet of the Apes） 1973年 2678年，猿族教授在讲述凯撒当年的故事，那是在2015年，猿族中发生叛乱，大猩猩们在将军艾多（General Aldo）的带领下和一群发生变异的人类一同意图推翻凯撒的领导，决战开始了...