终结者：黑暗命运

简介：自诩行侠仗义、绝不伤害人命的劫匪帕克带领同伙洗劫俄亥俄一座游乐场，谁知最后关头却遭背叛，身受重伤，命悬一线。死里逃生的帕克迅速从医院逃出，他有条不紊搞来现金，准备假证件。为了讨回自己应得的那份钱，他查到同伙梅兰德等人的消息，一路尾随前来。与此同时，有着芝加哥黑手党背景的梅兰德等人察觉到帕克的行踪和动机，也唆使杀手追杀这个难缠的对手。围绕着这笔不义之财，交织着人性欲望的杀戮随即展开……

简介：漫画店打工仔Clarence Worley（克里斯汀·史莱特 Christian Slater 饰）生日的时候，在电影院邂逅了美女Alabama Whitman (帕特丽夏·阿奎特 Patricia Arquette 饰)，两人一夜春宵。第二天，Alabama告诉Cla rence她是个妓女，是Clarence的老板送给他的生日礼物，但她爱上了他。Clarence决定将Alabama从皮条客Drexl Spivey（加里·奥德曼 Gary Oldman 饰）手中拯救出来。夜总会的一阵混战后，Clarence开枪将Drexl杀死，并拿走了一个他以为属于Alabama的手提箱。后来两人发现，手提箱里竟有大量可卡因。两人欣喜若狂，开始流浪，寻找将可卡因换成现金的机会。两人一路来到了洛杉矶，找到了Clarence的老友Dick Ritchie（迈克尔·拉帕波特 Michael Rapaport 饰）。Dick是个在好莱坞混迹的演员，他把一位能转手可卡因的导演Lee介绍给二人。而另一边，被Drexl偷走了大量可卡因的黑帮老大Vincenzo Coccotti（克里斯托弗·沃肯 Christopher Walken 饰）也带着一帮人开始寻找两人的踪迹。一场场大战即将上演，到底这对恋人的罗曼史能否延续下去？

简介：高超的技艺和天赋曾为骑师本•科恩（科特•拉塞尔）赢来无数奖杯和荣耀，然而随着岁月流逝，他慢慢地被层出不穷的新人抛在身后，成了等待被“处理的垃圾”。与他命运相同的还有老马桑娅，后者曾作为一匹前途无量的种子选手为主人赢得过无数场比赛，但因运动强度过大在某次比赛中折断后腿后，它在主人眼中也就成了“废物”。后来，桑娅被主人当作遣散费送给了本•科恩。　　本•科恩的沮丧被他的女儿凯尔（达柯塔•芬妮）尽收眼底，为了帮助爸爸和桑娅重拾自信，她制定了详细的计划，首先，她说服本•科恩同她一起精心照料桑娅，桑娅一点点恢复健康重新站立起来时，她又想方设法使本•科恩接下看似不可能完成的任务——赢得“育马者杯经典大赛”。

简介：已經隱退江湖的女歌手Angela Arden（Charles Busch飾）擁有一個不正常的家庭，大兒子Lance（Stark Sands飾）是同性戀，常常為自己起伏不定的情緒所困。小女兒Edith（Natasha Lyonne飾）則從心底蔑視母親，只與父親親近。　　Angela如同坐監般的婚姻生活使她鬱鬱寡歡，她想要重新握起麥克風，但她的老公——電影製片人Sol Sussman（Philip Baker Hall飾）想盡辦法阻止她。他憎惡她，在得知她與落魄失意的男演員，「小白臉」Tony Parker（Jason Priestley飾）有染後，切斷她的一切經濟來源，不准她重回歌壇，并拒絕離婚。Sol對待兒子Lance的冰冷強硬態度也讓Angela下定決心毒殺他。　　Edith不相信父親死於心臟病發，她要求Lance和她一起找出母親蓄意謀殺的證據，但Lance深深愛著母親，陷入了兩難。而另一邊，母親的情人Tony Parker刻意接近兄妹倆，迅速俘獲了他們的心，並使兩人爭風吃醋大打出手。Tony的真實身份是什麽呢？　　隨著調查的深入，最後的真相卻出人意料。陰謀的背後竟牽扯出一樁陳年舊案——當年Angela殺死姊姊Barbara并取代她的身份，一雙兒女其實是姊姊的孩子。而已經死去的Sol居然再度露面，企圖殺死Angela......　　由Charles Busch於1999年撰寫并主演的同名舞台劇改編，導演Mark Rucker憑藉「Die, Mommie, Die」獲得了2003年Sundance Film Festival的特別評審獎。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：根据一对父子的真实故事改编，他们在阿巴拉契亚小径的徒步旅行中修复了破裂的关系，寻找他们心爱的迷路狗。

简介：南方小镇，四个平凡的青年相依为命，潦草度日，却意外被卷入了一桩杀人案。他们在一夜狂欢后醉酒醒来，身边竟有一具尸体。在因果未明的情况下，四人为了逃避惩罚匆忙掩埋尸体，而后开始了不顾一切的逃亡。一行人穿越南北，阴差阳错地经历着人心的善恶。随着时间的推移，每个人都生出了不同的心思，四人间的矛盾也逐渐凸显，饱经风霜的他们最终能否得到安宁的归宿？微弱的羁绊是否还能维系着亲情和友情？到底谁才是凶手，害得他们走上这无望的亡命之路？

简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。　　某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？

简介：高中时期的情侣海莉（凯贝尔饰）和罗布（罗里格饰）在考古研究小组的发掘现场相遇，该小组目前正在大烟山国家公园的野外工作。罗布立即尝试与海莉重新建立联系并重新点燃他们的浪漫之火，但海莉还没有完全摆脱罗布的背叛。在他们大四的时候，海莉申请了一项研究经费，但最终授予了罗布而不是她。从那以后，两人就没有说过话，但现在海莉决心保持专业，因为她和罗布在这个令人兴奋的挖掘现场一起工作。两人最终因对自然和历史的共同热爱而重新建立联系，一起探索公园。但是当海莉在一个洞穴中发现象形文字，可能会导致神秘的切罗基钻石的存在时，罗布努力跟上她冒险的天性。让他们的关系变得更加复杂的是，他们发现他们再次竞争同样的研究经费。他们一起努力，终于找到了洞穴，并慢慢意识到旅程也许比目的地更重要——而爱比任何研究资助都更有价值。

简介：肥胖的姑娘茱莉亚（艾丽森•汉妮根 Alyson Hannigan 饰）长久以来得不到爱神的眷顾，眼看一生要在家里的餐馆中做服务生度过。她古怪的家庭：希腊黑人父亲、印度母亲和一个日本妹妹不看好茱莉亚的婚姻，然而，一个英俊的顾客格兰特（亚当•坎贝尔 Adam Campbell 饰）再度激发了茱莉亚的爱火。茱莉亚找到神通的矮人红娘，在后者帮助下摇身一变成为窈窕淑女，又借助电视相亲节目成功与格兰特牵手，两人的关系进展迅速，不久发展到互见家长谈婚论嫁的地步。此时，格兰特性感撩人的前任女友安迪（苏菲•蒙克 Sophie Monk 饰）突然出现，并且怀着要将格兰特夺走的野心。情场如战场，昔日的胖妞茱莉亚怎样才能完成梦寐已久的幸福婚礼？

简介：叶氏集团新任掌门人叶倾城雷厉风行，董事会上不给老董事、老员工一丝情面，本市有三家制药公司的老总相继遇害，退隐二线的叶北归为了爱女安全，雇了好友陆天明儿子陆云做保镖，陆云是特种部队复员兵，精干有能力，开始二人相处并不融洽，在陆云看来叶倾城非常幼稚，安全意识相当差，居然相亲时被对方下了迷药，叶倾城也非常不满意陆云到来，觉得一个陌生男人贴身跟随自己，是对自己私生活严重干涉，二人一翻较量后达成共识，那就是叶什么你开始私生活了，我走开。 在一次派对上，生意伙伴某制药公司老总林成栋被杀，这加深了叶倾城的恐惧，年幼时叶倾城心灵受到严重的伤害，那就是目睹母亲惨死在家中，她这时对陆云有了一定的依赖性……

简介：讲述夏洛特·萨洛蒙的真实故事，她是一位年轻的德国犹太艺术家。在第二次世界大战前夕，她克服了重重困难，创作了永恒的杰作。