坏孩子的天空1996

简介：怀揣梦想的90后小鲜肉诸葛戈和他的团队创造了智能点单系统并且小有成效，但是苦于没有资金不能有更大发展，一次偶遇霸道女总裁霍天宇，磁场相合的双方虽然彼此内心有好感，表面上却针锋相对，有钱任性的富二代王四宠在追求霍天宇的同时还怀有不可告人的其他目的，身份并不简单的土豪李通看似傻豪粗实则不简单，随着几人人生交错在雾都重庆演绎了一出荒诞的人间现实版喜剧。

简介：在血腥的科拉尔金矿区，洛基的名字让他的敌人感到恐惧。 他的盟友仰赖于他，政府却将他视为对法律和秩序的威胁。 洛奇必须与来自四面八方的威胁作斗争，以获得无可挑战的霸主地位。

简介：自诩行侠仗义、绝不伤害人命的劫匪帕克带领同伙洗劫俄亥俄一座游乐场，谁知最后关头却遭背叛，身受重伤，命悬一线。死里逃生的帕克迅速从医院逃出，他有条不紊搞来现金，准备假证件。为了讨回自己应得的那份钱，他查到同伙梅兰德等人的消息，一路尾随前来。与此同时，有着芝加哥黑手党背景的梅兰德等人察觉到帕克的行踪和动机，也唆使杀手追杀这个难缠的对手。围绕着这笔不义之财，交织着人性欲望的杀戮随即展开……

简介：爱丽斯(凯特•温斯莱特 Kate Winslet饰)住在英国伦敦的乡村，而阿曼达(卡梅隆•迪亚兹 Cameron Diaz饰)则是洛杉矶的美国丽人。她们在天南地北的两端，却遇上了同样的问题：在感情上遭受了挫败，令生活灰暗无光。二人在网上聊天，商议在圣诞节到来之前，到对方的环境去生活，交互双方的住所作为度假场地。于是，一场令人兴奋的旅行开始了。爱丽斯来到美国大都市，阿曼达则乘班机前往极具英伦情调的英国乡村。除了新鲜的生活环境，当地男生的魅力更让她们猝不及防。

简介：这部电影讲述了印度外交官 J. P. Singh 的真实故事。当寻求庇护的女性乌兹玛·艾哈迈德抵达大使馆时，他的世界发生了翻天覆地的变化。乌兹玛声称自己是一名印度公民，她被绑架到布内尔，并被迫嫁给了一名巴基斯坦男子，名叫塔希尔，是普什图族人。她还有一个患有地中海贫血症的女儿，是她之前一段失败的婚姻所生。她原本以为塔希尔是真心爱她，所以她去了巴基斯坦见他，结果却被带到一个偏远的村庄，并遭到虐待。随着紧张局势的升级，辛格必须在复杂的国际外交、巴基斯坦的法律体系以及来自印度和巴基斯坦政府的压力之间周旋，以解决此事，并帮助乌兹玛安全地通过瓦加边境离开。这部电影深入探讨了当个人生活与国家事务交织在一起时，外交官所面临的道德和伦理挑战

简介：来自雪国的年轻女孩江藤良香（松冈茉优 饰）独自在东京打拼，至今从未谈过恋爱的她日常喜欢灭绝动物，关于爱情她念念不忘的是学生时代的帅气男孩阿一（北村匠海 饰）。她将心中所爱所想说给身边的检票员、超市收银员、钓鱼大叔、公交乘客，看起来是那么开朗无忧。在一次公司聚会上，看起来十分不靠谱的男生阿二（渡边大知 饰）主动搭话，之后更向其表白。良香敷衍着这个神经兮兮的男生，心中一直放不下阿一。于是，她鼓起勇气，以其他同学的名义策划了同学聚会。经过一番努力，同学会如期召开，良香朝思暮想的阿一也终于到会，只不过随后的发展却事与愿违……　　本片根据绵矢莉莎的小说改编。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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简介：小美和阿雄在一起很久了，到了快结婚的时间，可是当小美和阿雄的两家人在一起见面的时候，父母双方不同意，各自有自己的原因，阿雄家里是农村的，小美家是城里人，两种不同思想的长辈让两个年轻人左右为难。

简介：华夏时期盗匪大量涌入，探险队与考古学家找到《驭蛟录》并收藏起来以免其流失海外。几年后，父亲受到蛇毒重伤的高盈盈（毛娜饰 演）在玄二（王玺饰 演）和玄三（段霄震饰 演）的陪同下，找到了互生情愫多年、会分金定穴之术的富家少爷许飞（安一鑫 饰演），希望他能帮助自己寻找治愈父亲蛇毒的解药。四人途中意外遇到了黄海山（韩东 饰演），五人共同来到了拜柳村，开启了一段惊险刺激的探险之旅……

简介：在2034年，杨俊康教授发明了T芯片，植入T芯片的人类，不再产生疾病，医疗芯片集团普世公司垄断了T芯片专利技术后，将芯片移植技术推广到了普罗大众，使人类开始依赖T芯片。十年过后，一只神秘的雇佣兵组织袭击了普世集团总部，并极其残酷的杀死了总部除了杨俊康孙女杨小青之外的大多数人，并将一种从未见过的芯片病毒植入到了中心控制台中。一瞬间所有已经移植过T芯片的新型人类全部瘫痪，生命岌岌可危。