猛鬼差馆

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简介：小男孩托马斯（卢克·瓦德-维尔金森 Luke Ward-Wilkinson 饰）的父亲（艾略特·考万 Elliot Cowan 饰）因战牺牲，生意无法打理，托马斯的母亲（朱莉·理查德森 Joely Richardson 饰）不得不带他投奔乡下的婶婶，途中托马斯不小心丢失 了他的木制神像，十分伤心，因为那是他和他死去父亲唯一的联系.后来，他的母亲听说当地有一位木雕手艺很好的人，他就是图米（汤姆·贝伦杰 Tom Berenger 饰），图米是一个性格怪异，不爱与人交流的人，在与托马斯的相处之间，图米渐渐地打开了自己的内心世界...

简介：科林（科林·费斯 Colin Firth 饰）是一名诗人，他深爱着名为薇拉（明妮·德里弗 Minnie Driver 饰）的女子，然而不久之后，薇拉即将成为别人的新娘。深受打击的科林一时之间无法从情绪之中抽离，于是决定前往一座宁静的小镇度假换换心情。　　在当地的旅馆内，科林结识了曼蒂（海瑟·格拉汉姆 Heather Graham 饰），曼蒂是一名护士，个性温柔而又开朗的她渐渐治愈了科林内心的创伤，科林发现自己不再去想薇拉了。随着时间的推移，两颗心越靠越近。可就在这个节骨眼上，薇拉忽然放弃了婚礼，跑来找科林，旧爱新欢都在眼前，科林一时陷入了犹豫之中，不知该做出怎样的选择。

简介：梧桐中学高二十八班是远近闻名的问题班级，后进生、艺术生、体育生、不良少年聚集在此，以宋宸（柯焱曦 饰）为首的男生帮派和以秦淼淼（熊婧文 饰）为首的女生帮派互相不服，班级混乱无序。一天，高二十八班收到了一封信，这封信自称是由一年后的他们集体寄来。信上说，即将调来的班主任谭 睿明（秦海 饰）会改变十八班，成为对他们最重要的人。然而在一年后的未来，谭老师却永远地离开了他们。为了实现一段没有遗憾的青春，扭转历史，少年们决定按照信上所说，挑战一个个不可能实现的任务...

简介：当沙基和史酷比赢得去狂热摔跤比赛的门票后，整个团队都决定去Mystery Machine出席观看这场比赛。然而，一只神秘的幽灵熊突然出现毁掉了这场比赛，史酷比，沙基he 达芙妮还有其他朋友以及众多的WWE明星一起来处理这个突发事件……　　byhttpchaoji365.comlist4.html

简介：影片以娱乐圈为载体，讲述了落魄导演李然由于公司欠债，于是拍摄情色惊悚电影《杀人红包》想借此力挽狂澜。剧组杀青宴上，李然却得知参与拍摄的女演员辛楠早在杀青之前车祸死去，李然开始追查参与自己影片拍摄的辛楠究竟是人是鬼，遭遇了一系列令人毛骨悚然的诡异奇事。

简介：主角罗立松是一名恪守职责的老警察，在一场意外中痛失爱子，但对方下落不明，为证明儿子并未失踪，临近退休的罗立松四处奔走寻找儿子的下落，最终皇天不负有心人，重于找寻到了儿子的下落，不仅还其清白，更证明人民警察“忠诚可靠、服务人民、竭诚奉献、作风优良，不负使命”的精神。

简介：三个钻石王老五：建筑师彼得（汤姆•塞立克 Tom Selleck 饰）、艺术家麦克（斯蒂夫•古根伯格 Steve Guttenberg ）和演员杰克（特德•丹森 Ted Danson 饰）合住在曼哈顿的一套高级公寓内，三人风流成性，过着悠然自得的生活。然而，这种生活就在杰克出外地拍片的某天早上被打破了。另外两个室友在公寓门口发现了一名被遗弃的女婴，据遗弃者留下的字条称，这是杰克的亲生女儿。彼得和麦克只得将女婴抱进屋内，开始了“初为人父”的生活。虽然两人经常应付各种各样的女人，然而应付女婴还是第一次。他们被女婴搞得手忙脚乱，焦头烂额；然而通过一阵子的相处，他们内心的父爱情结又油然而生……

简介：三年前，年迈的母亲打来电话，让“我”给她拍张照片当遗像。父亲沉迷彩票，家产散尽。最离奇的哥哥，他从小就认为自己可以通灵，是神明的媒介。面对死亡的时候，“我”是否准备好失去父母？带着隔阂与心结，导演回了一次家。而随着拍摄与生活，他发现自己与家庭的关系竟发生了变化。导演以自身家庭为素材，缓缓讲述这个让他二十多年间不愿踏入的家族故事。本片入围瑞士真实影展，获台北电影节最佳纪录片、最佳剪辑、观众票选最佳影片，评审团全票通过获得百万首奖。“拍出家人、土地和神明间的渴望与拉扯，不煽情却无比动人。”

简介：After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that Uncle Mitsuo dropped Itsuki. As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...

简介：Ronald Miller is tired of being a nerd, and makes a deal with one of the most popular girls in school to help him break into the cool clique. He offers her a thousand dollars to pretend to be moxia.cc his girlfriend for a month. It succeeds, but he soon learns that the price of popularity may be higher than he expected.

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor