天堂的张望

简介：本片是部童真十足的幻想片，叙述一位8岁的小女孩安娜，由于想帮助开计程车为业的父亲在百老汇演出，因此不断乞求上苍赐给他一位神仙教母，以实现她的愿望。上帝总算是回应了她的愿望，只不过他送来的不是教母而是个不折不扣的教父：而这位神仙教父墨利显然是经由作弊、才通过法术测验的。不但每次法术屡屡出错，还会找多藉口来搪塞，结果呢？当然是不太乐观。再加上一位邪恶的女巫在一旁捣乱，千方百计想抢走墨利的法杖，以增加自己的法力，状况简直是乱不堪言，当然笑料也就源源不绝而至。小姑娘安娜贝尔（玛拉·威尔逊饰）许愿求得一个神仙教母，可她没料到自己的神仙教母竞然是男的！并且，安娜贝尔很快发现，这位名叫穆瑞（马丁·朔特饰）的男教母完全是个新手，总是成事不足败事有余。他们不幸卷入一场魔法界的大灾难，安娜贝尔和毛手毛脚的穆瑞必须在午夜时分与一个邪恶的女巫（凯瑟琳·特娜饰）决斗，让人间变回一个愿望能够实现的美好世界。

简介：李修缘幼年目睹妖怪为祸人间，深深体会到妖魔给人们带来的痛苦。长大后成亲之日，遇到神秘高僧点化，说他是降龙罗汉降世，能够拯救世间苦难。于是修缘背弃婚约，入佛门之后谨遵戒律，刻苦修行，却始终无法融合金身、觉醒成为降龙罗汉。在寻找机缘的途中，修缘与未婚妻镜心相遇，镜心要把修缘绑回去成亲，修缘坚定拒绝，屡屡逃走，两人追追逃逃来到灵仙镇。灵仙镇常年有妖怪出没，需要不断献祭少女才能保得平安。修缘与镜心联手除妖，不料这竟是一场巨大的阴谋。面对重重困境，修缘能否成功破局，又能否冲破内心桎梏，成长为真正的降龙罗汉？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：《老广的味道》第三季，将带大家寻找被遗忘的味道，这些被遗忘的味道将会重新出现在我们面前。新一季的美味之旅跨越“山海、东西、主辅、生熟、古今、雅俗”，从两极差异到彼此融合共处，诉说老广美食的无限可能，道尽广东食者对家乡美味的坚守与传承。

简介：柯道（常蓝天 饰）在编缉部工作，最近妻子（张立美 饰）发现他精神有些不正常，说话做事有点神经质，追问之下才知道，他被司马文的《歪打正着》惊险故事所困扰，深陷其中不能自拔。妻子带他看医生，医生让他外出旅行舒缓情绪。在去外地的火车行李架上，摆有三只一模一样的旅行箱，其中一只是柯道的，火车开动不久，柯道感觉口渴想取杯子，抬头一看，上面只剩了一只箱子，打开后大惊失色，里面竟装着被肢解的人体，夫妻俩面面相嘘不知所措。想报警又怕凶手还在车上遭报复，想找回自己的箱子，可打眼一瞧行李架上一模一样的箱子有好多，哪一只才是自己的呢......

简介：传说远古一段不为人知的时期，正气衰竭，人类自命比天高，正气被遗弃，大地之神为警戒世人决定爆发一次大灾难，并引发起天崩地裂，被封锁于黑暗地下的妖魔亦乘机出动，在人间尽情破坏……　　就在这混乱昏暗之期，只有神剑门门主无间道人可以跟妖魔决一死战。因为无间道的灭魔圣剑能够灭魔斩妖，灭魔圣剑是神剑门先师以天外黑铁，倾毕生心血铸练而成，由于用剑者到最后都会人尽灯灭，故将剑与剑诀《天外飞仙》分开埋藏。童年时的三个好友：小错、小逆、小云，分别被道界魔界仙界收养，培养为无间、莫逆、圣女，三人命运一夕被改变，天下苍生命运的改变亦尽在其正邪一念间。　　为争夺剑与剑诀，魔界与道界展开了殊死搏斗……

简介：John Wood left the pieces of a broken civilisation behind, to go back to his roots in the woodland, after a virus pandemic struck the world. Residing in a simple cabin, he only wants peace and to live in harmony with nature. Coming from a long line of timber men, he joined the army and served as a soldier for many years. Rebelling against his superiors for killing civilians under martial law. John feels he got his own wife killed when saving hundreds of innocent civilians from certain death. His wife executed point blank as retribution for John's disobedience and supposed heroic acts. Now, a young woman named Maria Johnson has escaped a pandemic research lab. She's been part of experiments to find a cure for the still raging virus. Carrying the potential cure in her blood, she is hunted by profiteers and mercenaries who knows her secret. Coming upon John's cabin in the woods, Maria is instinctively taken into shelter by John. He wants her to recover fast and leave, but by learning her...

简介：著名化妆品公司的社长美轮（观月亚里莎 饰）有着不为人知的过去。曾经，她在一家整形医院里担任清洁工的职务，并且对自己并不美丽的外表感到深深的自卑。一天，整容医生义彦（寺岛进 饰）找到了美轮，提出让美轮成为自己的实验品，免费帮美轮进行整容手术。最终，手术大获成功，而已经脱胎换骨变得美艳不可方物的美轮顺理成章的嫁给了义彦。　　婚后没多久，义彦便露出了自己的真实面目，控制欲极强的他天天虐待和禁锢着美轮，令后者苦不堪言。在这个节骨眼上，美轮遇见了名为武治（山本耕史 饰）的园艺师，脆弱绝望的女人找到了生命中唯一的希望。

简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。　　某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？

简介：威利•王卡（强尼•戴普 饰）是一位伟大的巧克力发明人和制造商，经营着全世界最大的巧克力工厂——王卡巧克力工厂。那是座神秘的工厂，大门紧锁，15年来，从来没有看见有工人从大门进去或出来过，可是却能闻到浓郁的巧克力香味。工厂出产的旺卡牌巧克力销往世界各地，深受孩子们的喜爱。　　有一天，威利•旺卡先生贴出告示：他在出产的巧克力里面埋藏了五张金券，谁吃到了，就有机会参观工厂，还能得到足够吃一辈子的巧克力糖和其他糖果。小孩子们疯狂抢购，最终五个小客人成为幸运儿。　　其中有一个小客人叫查理（弗莱迪•海默 饰），家庭非常贫寒，在经历两次失败后，他发现了最后一张金券，巧克力工厂的大门因此为他打开。　　五个孩子开始在这个魔幻工厂中冒险，吸引他们的除了神奇壮观的巧克力制造世界之外，还有威利•王卡的“神秘礼物”……

简介：没有人出生在拉斯维加斯，这里只是沙漠中一个奇怪的地方，有些人很幸运留在了这里，有人则很不幸，也留在了这里，这里被人们称为“罪恶之城”。Kim Davis（Shayla Beesley 饰）是一个迷失了自我的孤独女孩儿，没有人关注她，除了Ray Easler（Michael Madsen 饰）。Ray Easler是拉斯维加斯城中富有的人，他拥有很酷的房子和车子，有天，他邀请Kim Davis去他的家中做客……

简介：本片记录了斗牛士安德里斯·罗卡·雷在一天的斗牛比赛中的生活，从他穿好衣服到脱下衣服的那一刻。