惊天大逆转

简介：四名好友参加了一位爱情大师举办的培训班，并因此对各自的恋爱关系产生了质疑— 此时大师的真实动机也逐渐显现。

简介：歌女江枫（叶枫 饰）是黑蜘蛛夜总会的主理人，与此同时，黑蜘蛛夜总会亦是犯罪集团的总部。警方派干探田康华（王侠 饰）隐瞒真实身份，潜伏在夜总会中，默默的接近江枫。内心极度寂寞的江枫轻信了田康华捏造的富商身份，坠入了情网之中。                                                                    　　很快，田康华就取得了确凿的证据，在他的帮助之下，犯罪组织遭到了灭顶的打击。此时，江枫已经开始怀疑田康华是始作俑者了，当田康华意识到自己的身份败露，为时已晚，江枫将田康华囚禁在地下室中，严刑逼供。之后，为了引出集团中的老大，田康华假意投靠江枫，在江枫的引荐之下，他见到了幕后黑手李三，正邪之间大战一触即发。

简介：導演：羅熾　　動作設計：陳木川　　演員：陳木川.李中堅.馬場.康照明.沈松村.張宗貴.項美龍.戴良.胖三.裴德雲　　台灣世紀cult片王followers必睇之作　　天殘地缺套戲太cult啦，佢個戲名改得十分貼切，戲中兩個殘缺主角，一個俾大奸角斬斷雙手，竟然會生番一隻小手仔出黎。另一個俾大奸角用腐蝕既液體廢左雙腳，以前有D咁勁揪既腐蝕極毒液體，犀利、犀利。兩個殘缺人溫左個鐘意摺埋自己係蒸籠入面既騎呢師父教佢兩個功夫，又係犀利、犀利。無手果個又游水、又打水、仲耍棍添，廢左雙腳果個用屎忽都可以打得死人，認真cult到爆。到最後梗係兩個殘缺人同大奸角上演一場超B級生死大戰……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：高中时期的情侣海莉（凯贝尔饰）和罗布（罗里格饰）在考古研究小组的发掘现场相遇，该小组目前正在大烟山国家公园的野外工作。罗布立即尝试与海莉重新建立联系并重新点燃他们的浪漫之火，但海莉还没有完全摆脱罗布的背叛。在他们大四的时候，海莉申请了一项研究经费，但最终授予了罗布而不是她。从那以后，两人就没有说过话，但现在海莉决心保持专业，因为她和罗布在这个令人兴奋的挖掘现场一起工作。两人最终因对自然和历史的共同热爱而重新建立联系，一起探索公园。但是当海莉在一个洞穴中发现象形文字，可能会导致神秘的切罗基钻石的存在时，罗布努力跟上她冒险的天性。让他们的关系变得更加复杂的是，他们发现他们再次竞争同样的研究经费。他们一起努力，终于找到了洞穴，并慢慢意识到旅程也许比目的地更重要——而爱比任何研究资助都更有价值。

简介：故事紧接着上一集发展。布里奇特（艾米莉·帕金斯 Emily Perkins 饰）亲眼目睹了姐姐金吉（凯瑟琳·伊莎贝尔 Katharine Isabelle 饰）变身成为狼人所经历的痛苦，心有余悸的她决定绝不步姐姐的后尘，她开始和潜伏在体内的狼人基因展开较量。　　为了阻止狼人基因的发展，布里奇特不断的往体内注射着药物，因此被误会是瘾君子，而被迫关进了戒毒所中。在那里，布里奇特失去了药物的来源，随着时间的推移，她的本性蠢蠢欲动。与此同时，金吉从未放弃过对于妹妹的追踪，她的脚步一点一滴的迫近着。不仅如此，在医院之中，亦隐藏着一个巨大的威胁。四面楚歌之中，布里奇特能否顺利脱身？

简介：蒋宣（文卓 饰）和孟微微（朱家希 饰）在一间酒吧里相识，情投意合的他们很快就看对了眼，走到了一起。随着时间的推移，两人之间的感情持续升温，最终，他们决定同居。在蒋宣的姐姐的介绍下，蒋宣和孟微微搬进了出租屋，让两人感到十分诡异的是，在出租屋里，有一把非常不合时宜的存在的红色油纸伞。　　一天夜里，蒋宣和孟微微终于经不起好奇心的诱惑，打开了这把油纸伞，可他们并不知道的是，他们同时打开的，还有噩梦的大门。往后的日子里，科学无法解释的灵异事件接二连三的发生着，而一切，都和那把红纸伞有关。

简介：电影讲述陷入电话诈骗组织的陷阱，失去一切 的徐俊(卞约汉 饰)潜入中国组织的本部与电话诈骗行业的设计者郭普罗(金武烈 饰)相遇后展开的故事。

简介：宫廷宴会上一个离奇死亡的宫女和多个不断被发现的死因不明肚子高高隆起的宫女尸体引发悬念。皇家丑闻不断爆发，皇帝大怒。随着案件的深入调查，引发了一系列惊心动魄、出人意料又环环相扣的故事。容妃，静妃与皇后这三个深宫女人之间究竟有着怎样的矛盾纠葛。最终真相将浮出水面，观众也将跟随剧中角色一步步揭开伪善的贤淑，直面皇宫背后不为人知的深宫秘事。

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简介：南方某部队文工团杂技团，有一群穿校官服的小文艺兵，别看他们个个都有一手绝技，飞车、顶碗、变魔 术……样样精通，但毕竟都是十几岁的孩子。为了使他们尽快地熟悉部队生活，得到锻炼，师部决定让杂技团下放连队生活一段时间。在紧张的军事训练中，某团标 兵侦察连接到师部批示准备迎接文工团的到来，可万万没有想到来了一群娃娃兵。只见他们拿着各种杂技道具蹦蹦跳跳地下了车，本来十分安静的营房立即热闹起 来。　　军事训练是很艰苦、很严格的，从来没有下过连队的小兵们没少出洋相，有时也真让人哭笑不得。早上集合出操，一起床就手忙脚乱，不是这个穿 错了衣服，就是那个戴歪了帽子。做起操来，动作简直是五花八门。尤其是那个调皮的许哆哆，别看她有个音乐味的名字，实际上却是个活泼好动的假小子。练兵场 上，谁也没想到她会开心地爬上了训练绳的端，急得战士们拉起军毯准备掉下来时接住她，夜晚，她竟然异想天开，带着比她还小的小兵们溜到海边去游泳。还有那 个弹琵琶的胖英，贪睡又好吃零食，总是一副大大咧咧的样子……。连长陈虎山是个带兵有方的干部，他本人又喜爱音乐、美术，在连队还组建了一支管弦乐队。可 这次面对一群杂技小演员竟急一阵恼一阵地没有了办法。经过师长的帮助，他认识到从思想上、作风上把这些军队的后代带好，也是十分有意义的工作。为此，他决 定采取启发式的教育方法，提高小兵们的觉悟。他带领杂技团的小兵们访问渔村。这个村的老渔民祁阿公有个孙子叫小虾，当年在陈虎山当班长的班里当兵，虎山喜 爱他，在训练时总是照顾他。到了自卫反击战时，小虾因缺乏锻炼，结果在与敌人徒手搏斗时牺牲了。小虾的死对陈虎山教育很大，打那以后，他对战士的要求可严 了。小兵们听了这件事以后才明白，连长平时严格要求他们正是为了爱护他们。一天深夜，连长突然吹起紧急集合的哨子，小兵们迅速地集合完毕，连长宣布要到三 号地区抓两个可疑分子。由于平时进行了训练，这次行动中大家都表现得非常机智、勇敢。他们利用杂技特长克服了急行军中的一个个困难，许哆哆和夏安安、于小 菲经过搏斗，将一个可疑的黑汉抓住了，原来黑汉就是连长假扮的。连长看到小兵们进步这样快，非常高兴。不久，侦察连奉命即将出发去执行一项特殊任 务。杂技团的小兵们也圆满地完成了下连当兵的任务，他们依依不舍地离开了侦察连，离开了难忘的营房。

简介：抗疫斗争惊险万分，2020年海京因疫情封城，深呼吸康复机构老板程阳肾移植术后持续低烧，但仍为了查清捐赠口罩过期一事奔忙，潜入了药店老板范总的家中。范总家保姆马飞燕身为密接人员却从医院逃离，主治医师陈扬为找回她也来到范总家中，却扑了空。因发烧被误认为新冠患者的程阳经历了种种惊险的时刻，误打误撞中揭开了范总售卖过期口罩背后的罪行，并与前女友陈扬重逢。最终这场因疫情和人性纠葛而起的闹剧该如何收场？