野性王后

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简介：本片导演马克马巴夫计划拍摄一部关于电影百年的片子，需要雇用100名临时演员，他登了一个报纸广告. 然而当数以百计人们出现的时候,场面失控，临时他改变了注意。用摄影机记录下那些应聘者的陈述和想法，真实展露了伊朗社会各阶层的风貌。

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一群盗贼偷走了一卷卷轴，这卷轴赋予持有者普利亚（意大利南部）奥罗卡斯特罗土地的所有权。他们推选了一位来自诺尔恰的邋遢骑士布兰卡莱奥内作为他们的领袖，并决定占领这片据称富饶的土地。旅途中将发生许多冒险。

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早已功成名就的女性神秘小说家莎拉•莫顿（Charlotte Rampling 夏洛特•汉普林 饰）却为新作烦恼不已，在出版商约翰•布兰德（Charles Dance 查理士•当斯 饰）的建议下，她来到约翰的家乡别墅，一面休养，一面寻找灵感。乡间的悠哉生活使莎拉从久居伦敦的疲惫中解脱出来，尽情享受着难得的休闲时光。某晚，自称约翰女儿的茱莉（Ludivine Sagnier 卢蒂文•萨尼埃 饰）不宣而至，茱莉开朗、张扬、放荡，与古板莎拉格格不入。莎拉的创作计划被打乱，而一丝不祥的气息也悄然弥漫开来……本片荣获2003年欧洲电影界最佳女主角奖（夏洛特•汉普林）、2003年曼谷国际电影节最佳影片奖。©豆瓣

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想像多年後巴西走向政教合一，國民熱衷於宗教狂歡派對，如果此時彌賽亞重臨，世人是否都已作好準備？祖安娜任職公證人，見盡離婚夫妻，也會暗中協助破鏡重圓。她自己亦經歷婚姻不順，渴望生小孩但丈夫不育，想借助宗教力量獲得神諭，甚至參加集體性愛輔導。以《八月風》（39 屆）及《虹牛》（40 屆）嶄露頭角的馬斯卡路，貫徹令人矚目的視覺風格，鏡頭在性感之餘更添挑釁，諷刺盲目崇拜的偽善。辛丹斯電影節競賽作品。

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菲律宾黑帮大争霸，王山侄儿王彪阴谋篡位，不惜与黑帮勾结，向杀手集团下请书，不惜手段杀人灭口。来自日本的女杀手和来自越南的女杀手，至菲律宾杀王山，事后王彪追杀二人，继而到菲律宾……

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母狮 Tsebe 被残暴的北方兄弟追杀，必须在狮群的安全与自身的自由之间做出选择。失去双亲的豹子 Motsidi 奋力夺回已故母亲的森林。受人尊敬的女族长 Mogolo 为族群奉献了一生，但她年事已高，疲惫不堪。她需要找到一位合适的继任者，以免自己年迈的失败毁掉整个族群。

简介：导演山本萨夫是日本电影界社会派大师，他试图通过五代一家的兴盛、衰落来完成一部日本军国主义的侵华战争史。社会大家庭，家庭小社会，五代家本身就参与了对中国的掠夺和侵略，描写这一家的发展变化自然可以举重若轻地体现出那段时间的日本侵华过程。①本部描写的是日本军国主义的侵华上升时期。影片曾获1970年《电影旬报》十佳奖第二名。②这是日本电影界社会派大师山本萨夫所拍反映侵华战争史的第二部。时间是中日对峙阶段，中国的抗日运动开始发展壮大，五代一家也受到影响。影片曾获1971年《电影旬报》十佳奖第四名。③这是日本电影界社会派大师山本萨夫所拍反映侵华战争史的第三部，描写了侵华战争如何从最初的一往无前到节节败退到一败涂地的过程，而五代家庭也从大发战争投机财走向了分崩离析，家中的成员也在这空前激烈的动荡中选择了各自不同的道路和归宿。三部曲拉开了日本电影1970年代波澜壮阔的社会派巨片的帷幕，这可以说是导演山本萨夫对日本电影史的伟大贡献。影片曾获1973年《电影旬报》十佳奖第十名。　　============================================　　②日本侵华战争步步深入，五代家也发生了一系列悲欢离合的事情。五代由介的次子俊介为自寻出路而离家出走，并爱上了有夫之妇温子。二人非常想在一起长久生活，但温子在丈夫的高压之下始终拿不定主意，心情非常痛苦。由介的次女顺子与左翼学生耕平相爱，因为参加了反战运动，耕平被当局逮捕。后来尽管出狱了，等待他的却是一张入伍命令。顺子鼓励耕平一定要好好地活下去，一定要回去见她。由介长女由纪子的男友柘植已经成为一名中尉，几经周折他终于调回东京，却不慎卷入刺杀军务局长永田的案件之中，从而与由纪子失去了联系。另外，抗日游击队员徐在林与女游击队员全明福相爱，徐和满洲省委”派来的代表在部队的撤退问题上闹翻，徐在林坚持逃跑，全明福却中弹身死去。赵瑞芳是一名中国富家小姐，参加了抗日运动”，却与日本医生服部相爱。由于服部的掩护，她躲过了宪兵的抓捕逃至上海。

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高级督察何尚生（刘青云）被劫持人质的劫匪伊健（郑伊健）点名到案发现场进行谈判，眼见伊健在现场的嚣张，何尚生斗意昂扬欲将其拿下，但被其逃脱。挫败激起何尚生的战意和好奇心，开始同伊健玩起“取赎金的游戏”来。

简介：This 1992 Japanese film tells the story of a scientist who sets out to create the new super Adam and Eve, humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.　　comments from imdb　　This modern tale of an attempt to build a creature is one of the best horror films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.　　This film was introduced to me by someone who told me I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it. Intrigued I asked what did he mean, and he said, Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage. My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.　　15 out of 10 and then some. 1010　　Also known as The Last Frankenstein, this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic Freaks.　　Intelligent, emotional, tragic and real, this is an absolute gem. 910

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大魔头不死罗刹修炼邪恶三生功法，为祸世间。逍遥一派倾其全派之力将不死罗刹封印在石棺中，并转移到至阳至刚之地——太平镇，派人世代看守。不死罗刹发下毒誓，等自己冲破封印之后一定要报仇雪恨。五十年后第三代守护接班人顾长青，平日里吊儿郎当，梦想着能走出小镇去闯荡成为一名大侠。顾长青为了接近心爱的姑娘花木深，他用迷药将爷爷迷倒后，顾假扮爷爷去为花木深治病。这导致爷爷错过了在封印之中注入功法的时机，此时不死罗刹趁机冲破封印逃之夭夭，太平镇即将掀起一场腥风血雨……