科特斯旅馆

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影片讲述了某电台当红女主播奈美乐（汤怡 饰）总无故遇见种种诡异事件，严重影响了她的精神状态，导致在工作中频频出错，台长命思思（郭艳 饰）接任其职位代替奈美乐主持节目。她不仅工作出色，面对感情也极度专一，对双月天（季晨 饰）痴情不已，为他付出一切也在所不惜。可就在一切都看似美好中，双月天意外死亡，谁才是真正的凶手？一段悬疑惊悚的故事拉开帷幕。

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足球小子仇星天赋过人，因自负被反派蓝波陷害输掉关键比赛，众叛亲离。女友盈盈的父亲王博士在欧洲从事人体运动极限研究，回国找女儿却吃了闭门羹，遇到低迷的仇星。经过博士训练仇星最终带领球队成功逆袭。

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一名高中教练的十几岁的女儿被杀害了，他决定亲自出面追捕绑架他学生并进行人口贩卖的罪犯。

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吉恩一家的生活幸福美满，丈夫吉恩（François Marthouret 饰）兢兢业业，和善慈祥；妻子海伦（Évelyne Dandry 饰）温柔贤淑、端庄大方；他们的子女尼古拉斯（Adrien de Van 饰）和苏菲（Marina de Van 饰）也都分外听话。然而，一个不速之客的到来搅乱了家中的一切。某天，吉恩从实验室带回一只小老鼠，这个温柔可爱的小家伙仿佛具有恐怖的魔力，接触他的人全部性情大变。先是尼古拉斯突然在餐桌上宣称自己是个同性恋，接着苏菲则梦游摔成重伤，混乱不断升级……

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我们为什么要买东西？谁让这个世界变得无节制消费？他们如何做到这一点？调查记者雅克•佩雷蒂审视了无节制消费潮流背后的机制，得出了答案。原来，使这个世界变得无节制消费的元凶，并不是人们普遍认为的广告员和市场推广员，而是这诸多因素背后那些首先改变产品然后改变我们的人们。纪录片表明，长久以来，制造商都梦想着在消费者大脑中植入“升级”观念，从而让无限消费成为现实。他们首先瞄准未被开发的儿童市场，学习应用向儿童销售的方法，从而增加向成年人的销售。但是，那头最肥的能够带来现金的奶牛却来自恐惧——通过挖掘消费者的恐惧，制造商发现了一个对健康和安全产品有巨大需求的世界。

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喜剧演员乔什·约翰逊特别脱口秀节目，谈论他与金钱、父亲和跟踪者的关系。

简介：龙妻遭一高级干部子弟奸杀，凶手因恃势而逍遥法外，阿龙 (郑浩南) 悲愤莫名，一时冲动，错手杀死凶手，阿龙自知惹下大祸，遂与舅仔阿文 (梁思浩) 一起偷渡往香港。　　龙、文千辛万苦才抵达香港，却落入蛇头集团手中，被黑帮大阿哥阿坤利用，在建筑地盤当黑市工人，阿坤不但吞占工人之工钱，还通知警方缉捕众人，龙、文落荒而逃，阿文失足堕楼惨死，阿龙则负伤逃脱。　　阿龙负伤投靠好友阿泉 (廖启智) 。阿龙当年曾在战争中救阿泉一命，泉妻阿凤 (吴家丽) 更是阿龙之旧情人，阿泉一直感到愧对阿龙，遂收留阿龙。　　大圈帮首领阿雄 (黄日华) 逼阿泉加入其打劫行动，阿泉一心投考为有牌医生，不想铤而走险，加以拒绝，阿雄却不肯放过阿泉，阿龙看不过眼，代为出头，阿雄赏识阿龙身手，软硬兼施逼阿龙合作打劫，阿龙坚决拒绝。　　阿泉为人敏感，疑心极重，因阿凤对阿龙细心照顾，而猜疑二人旧情复炽，其後阿凤为维持家计，瞒著阿泉往夜总会做舞女，终被阿泉得悉，阿泉大受刺激，把心一横，主动加入阿雄之打劫行动。　　沙展森乃阿龙昔日之战友，现在负责剿灭大圈帮，沙展森得知阿龙与阿雄之关系，往找阿龙，要他做警方之线人，加入阿雄之打劫行动，阿龙为照顾阿泉之安危，遂答允沙展森之要求。　　阿坤见大圈帮势力日渐壮大，欲除之而後快，遂把阿雄之打劫行动通知警方，警方布下天罗地网，擒杀阿雄等人，沙展森为势所迫，未能通知阿龙，阿龙等陷入险境，经过一场激烈枪战，阿雄、阿泉等俱惨死，独阿龙逃脱。　　阿龙追查出此事乃阿坤所为，新仇旧恨，誓杀阿坤报仇，单人匹马，勇闯阿坤之架步

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特工界的神话叶萧因伤退役后，被逼相亲遇上霸道女总裁“商界王祖贤”张雪瑶，担任她的的王牌保镖，开始一场“小粉拳捶死你”&“未婚妻有毒”的动荡爱情。中海市商场波云诡谲，为了争夺一项医疗技术，一伙杀人如麻的雇佣兵偷渡上岸，震动中海的惊天绑架案正在酝酿中。叶萧也惊奇地恢复记忆，原来他和这群亡命之徒并非第一次交手......

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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《大地餐桌2》以南北物产为出发点，延伸至各地的自然景观和人文风貌，最终呈现人与食物的故事。

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17 岁的女孩丽莎沉迷于色情和自我享乐，原因是她与刚再婚的母亲的关系恶化，她的母亲还迫使她改信宗教。她最好的朋友莎拉是唯一知道她困境的人。她们关系密切，因为她们觉得在这个世界上她们唯一拥有的就是彼此。但最终，丽莎的瘾症阻碍了她们的关系。丽莎的痴迷使她与菲塔面对面，菲塔是病毒性爱录像带中的一名女性。而莎拉的孤独感驱使她投入了成年男性德万的怀抱。