一帮外行

简介：

科学探索也可以丰富有趣，节目组跑遍法国甚至全球，通过丰富有趣的实验，与医生、各行专家的探讨，结合生动的漫画揭秘大脑思维

简介：

孤儿西蒙（方·基默 Val Kilmer 饰）幼时生活在教会孤儿院中，那里留给他的，除了施洗者约翰的新名字与严苛的惩罚以外，还有撬门开锁的能力。多年以后，西蒙已经是著名的大盗，他计划筹措5000万之后洗手不干，享受人生。西蒙受命远赴莫斯科，盗取了政党领袖兼石油寡头伊万（拉德·舍博德兹加 Rade Serbedzija 饰）的芯片，自此与伊万父子“结缘”。西蒙为高额报酬再度接受任务，而这次的雇主居然是伊万父子，他们命西蒙盗取足以解决能源危机的核技术。西蒙乔装接近掌握核技术的艾玛博士（伊丽莎白·苏 Elisabeth Shue 饰），与博士暗生情愫的同时，应付着伊万父子的棘手任务……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

第一季尼泊尔、肯尼亚、喜马拉雅、秘鲁、西伯利亚第二季埃塞俄比亚、墨西哥、蒙古、尼加拉瓜、巴布亚新几内亚第三季玻利维亚、哥伦比亚、菲律宾

简介：

集结了艾伦，大潘，孙越、包贝尔，刘坤等众多大咖，以实习天使下凡拯救轻生屌丝男闹出的乌龙事件为核心的都市爆笑爱情喜剧……

简介：

八零后的许可（张静初 饰），在某个清晨醒来后，祥装气定神闲的走进民政局，闪婚太老，闪离却还来得及：谁的七年不曾痒一痒。回去的路上更祸不单行的与一辆宝马相撞，回到家的许可这才开始检阅自己的一地凄怆：青春已逝、老公出轨、净身出户、车辆被毁。富二代康少（吴克群 饰）的出现给许可的生活打了一剂强心剂，在无奈的上演了一出“他乡遇故知”的狗血戏码后，两人又几次三番的狭路相逢，许可一步步的发现这个大男孩不羁外表背后柔软又细腻的心，然而瞄了一眼自己的平胸和户口本上的高龄，许可迟迟不敢接招，谁知却又撞上闺蜜毛毛（朱珠 饰）的一见钟情二见倾心三见误终身，这场尴尬无比的三角恋注定要轰轰烈烈的展开。而另一边，气质忧郁的前夫刘光芒（潘粤明 饰），在度过失去婚姻的颓废期后，也在浪子回头的路上亦步亦趋：改掉自己不够浪漫的老毛病，拉拢毛毛为自己制造机会，贿赂鬼精灵的儿子成为自己的“帮凶”，在老房子的窗台，恋爱时的点滴回忆与温馨都在慢慢复苏，许可又将如何选择？独自远走异乡的许可，渴望寻找到内心真实的声音：生命的波澜起伏不定，内心的翻涌置之死地而后生。在洒满日光的海滩，熟悉的面孔再度重逢，阴云过后，阳光终于开启了人生新的一页。©豆瓣

简介：中年怪咖突然想帶著睡袋與撿到的色情書刊一路向西；高二小宅男唯一的朋友是個一心想死的少年；廢柴老爹帶著兒子夜襲高中校園偷沙袋居然遇到鬼？還有一個在DVD出租店打工的孤獨青年。平凡而細瑣，但仍充滿靈魂的小故事，看似漫不經心，卻無縫組成如拼布般多彩而親切的篇章。在庶民日常間提煉日系乾燥幽默，無以名狀的神來之筆，讓人嘴角不爭氣地上揚。　　三位重量級斜槓影人竹中直人、山田孝之、齊藤工聯手改編「孤高天才漫畫家」大橋裕之的早期代表作品，力求原汁原味萃取原作精神，全片在漫畫家故鄉愛知縣蒲郡市拍攝，政府民間全員全力支持！將數個短篇故事串起，吉岡里帆、松田龍平、滿島真之介、國村隼等人輪番上陣，幕前幕後豪華陣容通力合作，打造趣味橫生的魔性小品。

简介：

乔（大卫·斯佩德 David Spade 饰）是一个众所周知的傻孩子，每天都调皮捣蛋招惹一堆的麻烦，终于有一天，乔的父母忍无可忍，于是决定将乔抛弃在一个陌生的城市之中。遭到抛弃的乔无依无靠，只能够凭借着本能在冰冷的城市中孤独的生存下去，好在他傻人有傻福，不仅顺利的长大了，还给自己找到了一份正儿八经的工作。

简介：《我妈妈是派对女孩》坎城影展金摄影机奖新锐导演又一揪心亲情力作现今法国东部福尔巴克，一家之主马利欧是个暖男熊爸，他人生中唯一的野心就是成就爱人与被爱，但与妻子离异后，他只能打掉重练，并且必须独自扶养两名已各有主见的青少女女儿，而他自己也像青少年一样面临尴尬处境。

简介：

　　单身貌美的方卉（白百何 饰），独自在大城市打拼，过着两点一线的生活。一天夜里，她突然听见门外有人暴力拉拽门把手试图闯入。虽然没有看清门外是谁，但通过保安小吴得知，自己楼层的监控坏了。这让方卉平静的独居生活突然笼罩在惊恐不安的阴影之中。当夜晚再次降临，熟睡中的方卉隐约察觉有人进入了她的房间，但她醒来后却没有发现任何迹象。渐渐，她的精神状态也开始变得越来越差。身边反复出现的几个男人，房屋中介高齐、保安小吴、公司领导李总、宠物医生郑飞，他们似乎都有自己不可告人的目的。随着好闺蜜乔小曼的离奇失踪，独居，几乎成

简介：罗曼（丹尼·伯恩 Dany Boon 饰）是一位医疗咨询师，年过四十的他没有家庭亦没有爱人，甚至连和女性接触的经验也寥寥无几，只因为他患有洁癖和恐女症。迪米特（凯德·麦拉德 Kad Merad 饰）是罗曼唯一的朋友，同时亦是一名心理医生，他将好友的“病情”看在眼里，急在心上。　　为了能让罗曼过上正常的生活，迪米特替罗曼设计了一整套的“治疗方案”，然而，这一连串的改造计划非但没能让罗曼“重回正轨”，反而引起了一大堆的笑话和麻烦。某日，一位名叫安娜（爱丽丝·波尔 Alice Pol 饰）的美丽姑娘出现在了罗曼的身边，这或许是罗曼摆脱单身的唯一一次机会了，那么，我们的罗曼能否将它紧紧抓牢呢？