曾经拥有
1.0 |05月20日 10:39 |片长45分钟 |正片 |共1集
简介:

暂无简介

猜你喜欢
换一换
勇敢者游戏2:再战巅峰(国语版)
569
4.0
正片
勇敢者游戏2:再战巅峰(国语版)
4.0
更新时间:05月20日 10:48
主演:道恩·强森,凯伦·吉兰,杰克·布莱克,凯文·哈特,尼克·乔纳斯,奥卡菲娜,亚历克斯·沃尔夫,丹尼·德维托,摩根·特纳,罗伊·麦克凯恩,玛琳·辛科,麦迪森·伊瑟曼,科林·汉克斯,丹妮亚·拉米雷兹,瑞斯·达比,丹尼·格洛弗,瑟达吕斯·布兰,尼克·戈麦斯,布鲁诺·罗斯,莎拉·贝纳尼,查尔斯·格林,迈克尔·比斯利,保罗·皮尔斯伯里,萨尔·隆戈巴尔多,约翰·盖蒂尔
简介:

四名勇敢者再次穿越回到险象环生的游戏世界中,开启全新冒险。与上次不同的是,变身勇石博士 (道恩·强森 饰) 的是斯潘瑟的外公,外公的好友则变身为语言学家 (凯文· 哈特 饰),高大威猛的弗里奇变成了中年发福地质学家 (杰克·布莱克 饰),只有学霸玛莎依旧化身性感打女 (凯伦·吉兰 饰),斯潘瑟和贝瑟尼却不知所踪。为营救消失的伙伴,四人必须进入全面失控的未知世界,面对难度爆表危险重重的致命关卡,强森领队挑战极限玩命闯关。山崩石裂的险境中命悬一线,与突如其来的凶猛野兽死战到底,他们唯有绷紧神经并肩作战,才能通过生死考验逃出生天。一场惊险刺激又充满惊喜的冒险之旅即将展开!

3504
2019
勇敢者游戏2:再战巅峰(国语版)
主演:道恩·强森,凯伦·吉兰,杰克·布莱克,凯文·哈特,尼克·乔纳斯,奥卡菲娜,亚历克斯·沃尔夫,丹尼·德维托,摩根·特纳,罗伊·麦克凯恩,玛琳·辛科,麦迪森·伊瑟曼,科林·汉克斯,丹妮亚·拉米雷兹,瑞斯·达比,丹尼·格洛弗,瑟达吕斯·布兰,尼克·戈麦斯,布鲁诺·罗斯,莎拉·贝纳尼,查尔斯·格林,迈克尔·比斯利,保罗·皮尔斯伯里,萨尔·隆戈巴尔多,约翰·盖蒂尔
速度与激情8(国语版)
288
9.0
正片
速度与激情8(国语版)
9.0
更新时间:05月20日 10:47
主演:范·迪塞尔,杰森·斯坦森,道恩·强森,米歇尔·罗德里格兹,泰瑞斯·吉布森,卢达·克里斯,查理兹·塞隆,库尔特·拉塞尔,娜塔莉·伊曼纽尔,卢克·伊万斯,埃尔莎·帕塔奇,克里斯托弗·海维尤,斯科特·伊斯特伍德,帕特里克·圣埃斯普利特,卢克·霍克斯,奥莱克·克鲁帕,加里·维克斯,马修·康威尔,特戈·卡尔德隆,唐·奥马尔,塞莱斯汀·考尼尔,布莱恩·鲍曼,马科·查卡,David,Dman,Escobar
简介:

多米尼克(范·迪塞尔 Vin Diesel 饰)与莱蒂(米歇尔·罗德里格兹 Michelle Rodriguez 饰)共度蜜月,布莱恩与米娅退出了赛车界,这支曾环游世界的顶级飞车家族队伍的生活正渐趋平淡。然而,一位神秘女子Cipher(查理兹·塞隆 Charlize T heron 饰)的出现,令整个队伍卷入信任与背叛的危机,面临前所未有的考验。

1782
2017
速度与激情8(国语版)
主演:范·迪塞尔,杰森·斯坦森,道恩·强森,米歇尔·罗德里格兹,泰瑞斯·吉布森,卢达·克里斯,查理兹·塞隆,库尔特·拉塞尔,娜塔莉·伊曼纽尔,卢克·伊万斯,埃尔莎·帕塔奇,克里斯托弗·海维尤,斯科特·伊斯特伍德,帕特里克·圣埃斯普利特,卢克·霍克斯,奥莱克·克鲁帕,加里·维克斯,马修·康威尔,特戈·卡尔德隆,唐·奥马尔,塞莱斯汀·考尼尔,布莱恩·鲍曼,马科·查卡,David,Dman,Escobar
欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
评论区
首页
电影
电视
综艺
动画