超越黄线

简介：When a creative, sensitive teen from a dysfunctional family meets a beautiful, enigmatic runaway; his life is turned upside down when he travels the dark path with her toward parties and drug addiction.

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Netflix 限定纪录片剧集《黑夜跟踪狂：追捕连环杀手》讲述了美国历史上最臭名昭著的连环杀手之一如何被捕并绳之以法的真实故事，吸引了众多人的关注。在 1985 年的酷暑中，一场破纪录的热浪袭击了洛杉矶，随之而来的是一系列起初看起来毫无关联的谋杀和性侵案。受害者有男人、女人和儿童。他们的年龄从 6 岁到 82 岁不等。他们来自不同的社区、种族背景和社会经济水平。在犯罪史上，还从来没有一个杀手能犯下如此多令人发指的罪行。洛杉矶县治安官部门的年轻警探吉尔·卡里略和传奇凶杀案调查员弗兰克·萨勒诺争分夺秒地阻止这个夜行怪物。当他们不知疲倦地努力侦破此案时，媒体则紧随他们其后，恐慌笼罩着整个加州。

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一位年轻的穆斯林女子的纽约假期变成了一场噩梦。

简介：江湖中又起波澜，传闻那四大神兵之中，最为神秘莫测的彼岸花再次现世中原，这一消息如同春风拂过死水，激起了层层涟漪，引得各路英豪蠢蠢欲动，纷纷踏上寻觅之路。只为夺取神兵称霸武林谁曾想，这其中却隐藏着一个惊天的秘密(阴谋竞牵扯出无数江湖争斗。）

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续集故事继续围绕杰克（汤姆·克鲁斯 饰）展开，他重回弗吉尼亚州的军事基地和苏珊·特纳少校会面，要解决一些个人问题。此时，特纳却意外被捕。杰克同时也陷入谜团，因为他被诬告犯有重罪，而且牵涉到一个自己完全不知道的小孩。这些，杰克都记不起来了。他要克服重重困难，去寻找特纳，最终解决问题。

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故事讲述一场大雪将一名女人及两个继子(女)困在偏远度假村，而在此期间三人关系恶化，可怕的是女子童年黑暗的心理恶魔再次出现。

简介：一位普通少女小玉因抱打不平结识灵骑尉成员张昊，两人是天生的一对欢喜冤家。在两人吵吵闹闹之中，小玉无意卷入了一场驱灵的任务当中。在小玉协助张昊驱灵的过程中，她发现鬼和人一样都是有灵魂，有情感需求，有人性柔软的一面。最终这些留在人间不肯离去的鬼魂通过亲情、爱情等感情沟通的方式把生前的误会、遗憾化解之后，也就自动驱散了。

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一位年轻的女医师苏珊菲勒，其好朋友因简单的手术而陷入昏迷状态；然而在她服务的医院中，也有许多类似的病人，在经过简单的手术后呈现昏迷， 这些病患被送至另一机构集中照顾，但是苏珊菲勒发现事情并不如她所想......

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两位新近分手却有着不可否认的联系的情侣面临着如果文化差异没有迫使他们到相反的海岸开始新生活可能会发生的情况。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.

简介：加斯荷伯（布鲁诺·斯列斯坦 Bruno S. 饰）从小生活在不见天日的地下室里，仅靠稀少的水源和面包维持生命，直到数十年后，早已成年的他才被带离地下室，第一次亲眼看到了外面的大千世界。可是，噩梦并没有结束，他只不过是从一个地狱跌落到了另一个。在人们的眼中，加斯荷伯并非一个有血有肉的人类，只是一个可供研究和玩乐的部件罢了。刚开始，人们对加斯荷伯充满了好奇，并且，这些好奇里包含了某些恶意。渐渐地，对这个无趣而可怜的物体，大家都失去了兴趣，加斯荷伯被送进了马戏团。几经波折之后，被一名学者收留的加斯荷伯终于过上了平静安全的生活，学者教会了他读写，为他打开了了解世界的另一扇大门。没想到，加斯荷伯对于文明和文化有着异常敏锐和深刻的见解，面对他尖锐直白的语言，被戳到痛处的人类愤怒了。