劫匪帮

简介：卢克领导着一个诈骗集团在芝加哥附近的约里埃特行骗。这天，手下人向他交了一大笔刚刚骗了的钱。不久，卢克就遭到了谋杀。原来，这笔钱是芝加哥的黑社会头目朗尼根（罗伯特•肖 Robert Shaw 饰）刚刚收回的赌款，正是这笔钱令卢克引火烧身。　　胡克（罗伯特•雷德福 Robert Redford 饰）是卢克的一个手下，卢克平日待他如亲生儿子一般，生前就想把他介绍到芝加哥的好友骗术大师冈多夫（保罗•纽曼 Paul Newman 饰）处学艺。胡克发誓要给卢克报仇，于是前往芝加哥寻找冈多夫。胡克顺利找到了冈多夫，听闻这次的对头是朗尼根，冈多夫马上摩拳擦掌。于是，一个天衣无缝的行骗计划开始了！

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　　电影故事讲述的是一个年轻的白化病男孩，他因为是白化病而远离公众视线，一个年轻女孩利用他纯洁的心，让他成为社交媒体影响者，而年轻的白化病男孩爱上了这个女孩。—阿里·阿特沙尼

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阿列克西是一位 28 岁、问题重重的女子，大学毕业后一直没能找到摄影师的工作，于是她回到父母家生活。由于没有太多选择来打发无聊时光，阿列克西忽视了自己紧迫的责任，随心所欲地与各种男人交往：克里斯蒂安，一位美国摄影师，两人志趣相投，阿列克西与之交往；戈兰，一位当地音乐家，阿列克西无法忍受他的传统价值观，但她与他有着强烈的身体默契；托尼，一位年长、富有、迷人的斯洛文尼亚花花公子，他试图用游艇、派对和昂贵毒品等奢华诱惑她。

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江行健（林志颖 饰）和江行康（郝邵文 饰）两兄弟的父母在一次交通事故中不幸遇难，孤苦伶仃的两人被爷爷（郎雄 饰）收养。爷爷是大企业的董事长，平日里总以一副威严的面孔示人，他对江行健的要求十分严格，希望他能够管好弟弟，做弟弟的好榜样。尽管江行健十分努力，但还是屡屡遭到爷爷的责骂，几经波折之后，爷爷和江行健之间的关系总算有了一丝温馨的味道。然而，一次偶然中，江行康无意将父母生前留下的唯一一盘录像带给洗掉了，这令江行健十分郁闷，不得不借酒消愁，恰好被爷爷撞破。爷爷打算将不成器的江行健送往寄宿学校，愤怒和失望之中，江行健爬上了一个高耸入云的大树。

简介：苏莹（王丽坤 饰）和程峰回（郑元畅 饰）是即将步入婚姻殿堂的恋人，就在苏莹沉浸在幸福之中时，一个神秘人的出现将她的生活搅得一团糟。根据神秘人提供的种种线索，苏莹震惊的发现，原来程峰回的真实身份是苏莹曾经的同学林强，而可怕的是，在苏莹的记忆里，林强早已在一场大火中丧生。　　曾经的青葱岁月中，苏莹和名叫江重云（金泛 饰）的男孩之间有过一段甜蜜青涩的感情。江重云总是在背后默默保护着苏莹，而他本人却不愿意承认，这让苏莹十分感动，两人计划考上同一所大学，携手步入美好的未来。化学实验室里一场突如其来的大火将苏莹和江重云的所有幻想都焚烧殆尽，火灾中的遇难者正是林强。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

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故事发生在罗马尼亚同匈牙利边境上的小镇Salonta，很多非法移民都希望通过这里进入匈牙利然后是更远的西欧。四十来岁的Nelu是当地一家超市里的保安，他的日子是固定的，早起钓一会儿鱼，然后是工作，晚上回到妻子Florica身边。他俩居住在城外人烟稀少的地方。一天早晨，Nelu从河里“钓”到并不是鱼，而是一名试图越境的土耳其男子。尽管语言不通，但他们似乎能够理解彼此。Nelu将陌生人领回家，喂饱他，给他干衣服。作为回报，土耳其男子给了他一大笔钱，只要Nelu能够帮助他穿过国境。幕后制作影片由罗马尼亚、匈牙利与法国三国合拍，曾在2010年瑞士洛迦洛电影节摘得国际评审团特别奖、Don Quixote奖以及青年大奖。该片是罗马尼亚导演马里安·克里斯安的长片处女作，两年前他曾凭借短片《Megatron》获得戛纳电影节的短片金棕榈大奖。

简介：耿直又聽話的匏仔，專為大哥「處理」各種事情，扛下身為小弟的風險，再向老大拿安家費貼補家計。匏仔的仙姑媽媽總是念他：「早知道細漢就別讓王爺幫你算出兄弟命，現在整天在惹麻煩。」但在他心裡，還藏了一個祕密 ─ 他心心念念上次進去的時候，特別好好「照顧」他的學長咪幾。當咪幾出獄，期待重逢的匏仔卻發現自己被冷落，青春勃發而無處出口的蕩漾春心，變得比什麼黑道歹路、輩分道義，都更難按耐……。　　導演朱平挑戰以長片規格，細密地鋪陳在陽剛、壓抑的江湖人際中，伏流的同志情慾。全片鏡頭穩而慢，光線自然而情調滿滿，黃冠智、施名帥兩代本土男星貢獻洗鍊演技，在社會的暗角掩埋七情六慾。比起打打殺殺的生活，「你為什麼在躲我？」是一樁更難嚥下的心靈危機。

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清朝道光年间，道光皇帝因一时震怒．命侍卫王得宝持宝刀赐宠妃自刎。片刻之后，即感后悔，急命人收回成命，但宠妃已死。道光不愿再见到王得宝及宝刀，便命王得宝携刀远走他乡。此时，江南一带出了个淫贼大剑侠，他凭借着一对锋利无比的鸳鸯剑欺男霸女，无恶不作，百姓们敢怒不敢言。中原武林高手镇洛阳刘鹏决心为民除害，但终因不敌鸳鸯宝剑而命归黄泉。临终前，刘鹏嘱咐爱徒裘文焕定要设法找到王得宝，除掉恶贼。在京城，裘文焕结识r黑张等豪杰，并与美丽的牡丹姑娘一见钟情。聚英豪大镖局的镖头铁球流星鲍子龙唯恐裘文焕一旦得到宝刀，将威胁自己称霸武林，因此百般阻挠。他勾结醉眼神狮耿春雄设下圈套，将牡丹骗至酒楼作人质，逼裘文焕在三日之内以宝刀换人。裘文焕竭尽全力营救牡丹均未成功，只好四处寻找王得宝。在黑张的帮助下，裘王二人终得相见。王得宝早在暗中观察裘文焕，了解他的人品、武艺及寻找自己的目的。为惩恶扬善，王得宝将宝刀慨然相送，并教给裘文焕一套对付鸳鸯剑的绝技“疾风断剑法”。裘文焕持刀去换牡丹，岂料耿春雄等背信弃义，拒不放人。裘文焕怒不可遏。与他们展开殊死搏斗。黑张为救牡丹不幸身亡。裘文焕悲愤交集，越战越勇，终于将耿春雄、鲍子龙杀死。在灵霄阁，裘文焕终与仇人大剑侠相遇。裘文焕的“疾风断剑法”大展神威，几个回合即使恶贼毙命刀下，为民除了害，为师傅报了仇。

简介：1950年代，国内某个偏远小火车站上有这样一群人：绰号“老解决”（赵子岳）的老站长，工作、生活经验丰富，车站与附近公社的大小事务，基本没有能难倒他的；外号“老怀表”（田烈）的老站务员，即将退休却不舍得退休，对于要来接替他工作的年轻同事，他是一百个不放心；兼管职工福利的站务员“秦广播”（陈志坚）人如其名，一天到晚播报着头条新闻；人称“小发明”（曹昌焕）的搬道员工作之余爱鼓捣小创造，他正和姐姐铁英（李长乐）计划着在小河边建个小发电站，好让车站和公社用上电，不过这事是瞒着“老解决”偷偷进行的。此外，车站附近的生产队上有一位人送外号“胖队长”（凌元）的妇女队长，她跟“老解决”已互相喜欢了很长时间，但双方都羞于表白。　　要接“老怀表”班的是原铁路业余学校的青年教员段志高（韩非）。满怀一腔热情投入到新的工作中时，书生气十足的段志高由于经验不足闹了许多洋相，惹得“老怀表”摇头叹气，对他颇为不满，但“老解决”很看重他这股子热心劲，认为假以时日他会有大作为。——段志高的能力，也的确如“老解决”所预言，他在筹建发电站一事上帮了“小发明”和铁英许多大忙。　　不久，筹建发电站一事被“老解决”得知，众人本以为他会生气，哪想他竟大加赞叹，而发现“万事俱备，只缺一个发电机”时，如何筹到一个发电机成了他的心头大事，一旁的“老怀表”也在听过段志高的方案讲述后改变了对他的看法。夜半“老解决”自言自语，所念叨的发电机被隔墙的“秦广播”理解成“胖队长”，于是次日天不亮他就迫不及待地向“胖队长”广播这条大新闻，巧的是，“老解决”刚好准备向“胖队长”借用发电机。两人随后的碰面令人捧腹。而段志高和铁英在朝夕相处中，也不知觉互生好感。

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一名年轻的吸血鬼在冠状病毒隔离期间与一位意想不到的盟友一起捕猎猎物。