猎毒者2

简介：哈米特在伊斯坦布尔的一个社区和一个边境小镇之间游走。他为阿里工作，一边运走木炭，一边运来非法移民。在这个荒凉的小镇上，哈米特感到压抑困顿，受制于阿里，他与帮手穆罕默德共享一个破败的房间，但这并不是哈米特想象的生活。他曾试图逃跑却无济于事。唯一让他感到安慰的是在当地研究中心工作的植物学家丹妮丝，他们经常在海边的小屋里会面，伴随着海浪声做爱，却对彼此的生活闭口不谈……

简介：歌女江枫（叶枫 饰）是黑蜘蛛夜总会的主理人，与此同时，黑蜘蛛夜总会亦是犯罪集团的总部。警方派干探田康华（王侠 饰）隐瞒真实身份，潜伏在夜总会中，默默的接近江枫。内心极度寂寞的江枫轻信了田康华捏造的富商身份，坠入了情网之中。                                                                    　　很快，田康华就取得了确凿的证据，在他的帮助之下，犯罪组织遭到了灭顶的打击。此时，江枫已经开始怀疑田康华是始作俑者了，当田康华意识到自己的身份败露，为时已晚，江枫将田康华囚禁在地下室中，严刑逼供。之后，为了引出集团中的老大，田康华假意投靠江枫，在江枫的引荐之下，他见到了幕后黑手李三，正邪之间大战一触即发。

简介：小男孩托马斯（卢克·瓦德-维尔金森 Luke Ward-Wilkinson 饰）的父亲（艾略特·考万 Elliot Cowan 饰）因战牺牲，生意无法打理，托马斯的母亲（朱莉·理查德森 Joely Richardson 饰）不得不带他投奔乡下的婶婶，途中托马斯不小心丢失 了他的木制神像，十分伤心，因为那是他和他死去父亲唯一的联系.后来，他的母亲听说当地有一位木雕手艺很好的人，他就是图米（汤姆·贝伦杰 Tom Berenger 饰），图米是一个性格怪异，不爱与人交流的人，在与托马斯的相处之间，图米渐渐地打开了自己的内心世界...

简介：影片讲述了努力工作的苏新（喻恩泰 饰）幻想一夜成名，但事与愿违，苏新被倒霉的乌云笼罩，并将这一切怪罪在婚姻上。就在他绝望之际，偶然发现一个可以购买幸运的神奇机器，从此他的人生发生了翻天覆地的变化......

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：柯道（常蓝天 饰）在编缉部工作，最近妻子（张立美 饰）发现他精神有些不正常，说话做事有点神经质，追问之下才知道，他被司马文的《歪打正着》惊险故事所困扰，深陷其中不能自拔。妻子带他看医生，医生让他外出旅行舒缓情绪。在去外地的火车行李架上，摆有三只一模一样的旅行箱，其中一只是柯道的，火车开动不久，柯道感觉口渴想取杯子，抬头一看，上面只剩了一只箱子，打开后大惊失色，里面竟装着被肢解的人体，夫妻俩面面相嘘不知所措。想报警又怕凶手还在车上遭报复，想找回自己的箱子，可打眼一瞧行李架上一模一样的箱子有好多，哪一只才是自己的呢......

简介：飞云镖局的二当家姚仙在三年前因在押镖的途中遇到一个少年被众人追杀，心生怜悯之心而救了这个少年，也因此得罪了武林黑道。从此之后镖局经常失镖，而飞云镖局的生意也越来越差。三年后的今天，同样是二当家押的镖又被黑道劫走，并抓了二当家的，此时一位壮士出手相救。回到镖局后才知这位壮士正是二当家当年救下的少年君不悔，君不悔现在已是身怀绝技，并愿意同飞云镖局一起抵挡外侵。原来君不悔所练也正是失传多年的盖世神刀“傲爷刀”。

简介：印度移民工人纳吉布·穆罕默德（Najeeb Muhammad）前往沙特阿拉伯赚钱的真实事件。然而，命运弄人，他发现自己过着奴隶般的生活，在沙漠中央放羊。

简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。　　某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？

简介：陳先生(黃子華 飾)本來是最頂尖的特工，但因夥伴一次無心之失慘被停職，同時還得罪了女警佘香(佘詩曼 飾)，欠下情債。二十年後，城中名人相繼失常。陳先生再被委以重任，以為可大展身手，誰知此案與宅男圈內的藥物有關。為了社會安寧，陳先生只好化身不修邊幅的宅男查案，引發各種難題和笑彈。

简介：本故事描写一位环卫女工方方一家三口幸福的生活。但是就在方方的丈夫消防队员李强，退伍前却在一次执行任务救火中，献出了宝贵的生命。倔强的方方拒绝了社会各界的帮助，一个人含辛茹苦的抚养着自己心爱的女儿文文。可是由于方方是一名环卫工人的身份，方方的女儿文文在学校却招到同学的歧视。从此女儿也渐渐疏远了妈妈。方方为了女儿却默默无闻的承受着一切痛苦。 一次夜晚工作时方方受到一个醉汉的欺负，醉汉的钱包丢了，方方捡到交给派出所，却被醉汉误解。方方退休后一个人默默的祝福自己的女儿幸福，自己孤独时只有抱着牺牲丈夫的照片来回味过去美好幸福的生活。

简介：年轻有钱又置身于意大利的艳阳下，这是汤姆·瑞普利（马特·达蒙 Matt Damon 饰）所渴望的生活，却是迪基·格林利（裘德·洛 Jude Law 饰）早已拥有的东西。　　瑞普利是个出身平凡，生活也毫无值得炫耀的年轻人，他受到一个富商之托，到意大利去游说他号荡不羁的儿子迪 基，重回他的家乡美国。但是当瑞普利一到那里，就深深地被迪基的生活形态所迷惑：美丽的别墅、高级浮华的度假饭店、一掷千金的奢靡生活，以及他美丽温柔的女友，都令他羡慕不已。　　由于瑞普利一心觊觎迪基的生活，最后这样的欲望竟扩张成想要将迪基取而代之，他缜密的心思不仅令人咋舌，而冷静的犯罪手法更教人措手不及。就在他陶醉于亲手打造的美梦中时，瑞普利因为一次意外的巧合害他露出了马脚，于是引起警方的注意并展开调查……　　本片改编自女作家派翠西亚·海史密斯写于1955年的同名小说，法国导演雷内·克莱芒曾于1960年拍摄过一部以该小说为蓝本的电影《太阳背面》，由法国影星阿兰·德隆主演。