德水里五兄弟

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《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

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百合渴望去中国寻找她的恋人武田，临行前向阿婆祈祷一路可以平安，阿婆为百合写了一道平安符，烧化成水让百合喝了，其实那却不是什么平安符。 百合来到中国，被仇恨日本人的李家村村民抓住，想要烧死，八路军战士苦苦相劝，留下了百合的性命，可是百合因为听说自己的恋人武田已经死去，失去了生活的希望的百合，在小柴屋子自杀了。八路军战士掩埋了百合的尸体。 李家村道行很高深的茅山修道师傅，九爷预感到了百合的下葬，将是一个后世祸端，可是一开始又想不出好办法，于是查阅古书，给李家村子孙留下了一道祖训。 几十年后，三井来到中国，寻找到阿浩做中介希望可以带走李家村荒坟的遗骸，李家村村长九叔怎么也不同意。一定要维护祖训。

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故事发生于六十年代末，何伟是南洋商人，本想在香港搞小生意，但因生活奢华，故很快便将钱花光，此时他认识了波哥，后者忠直又敦厚，可惜刚失了业，意志消沉。何伟见状便鼓励他重新振作，二人成为好朋友。何伟与波哥共同租住一房，大家各谋生计，却竟然同时邂逅家庭教师戴若兰。小萍暗恋波哥，见他对若兰百般殷勤，大为不满。若兰却对何伟钟情，但未能表白心意。何伟知道自己散漫的性格辜负了若兰，决心改过。此时若兰收到外地来信，知道弟弟病重，并藉此试探伟对她的诚意……

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当一位研究科学家证明她能够追踪死者进入来世并登上全国新闻时，罗斯看到了一条出路，而泰迪也看到了最终成功的机会。这两个陌生人，都隐藏着不为人知的秘密，竞相加入这位医生充满争议的研究，并最终告别了这尘世。罗斯被一个无法逃脱的幽灵所困扰，而泰迪则被迫面对自己的过去。这两个格格不入的人在全国各地滑稽地争吵，一路上遇到的人迫使他们反思真正驱使他们的是什么。

简介：《窈窕淑女》是一部古天农执导话剧，钟景辉等人参加演出。

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暂无简介

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娱乐公司 Kugali 的泛非洲创始人与华特迪士尼动画工作室合作制作了一部原创动画系列，实现了他们的梦想。这部横跨三大洲拍摄的特别节目分享了他们的励志旅程。

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　　2002年7月19日，年轻男子西蒙·凯布尔（瑞恩·菲利普 Ryan Phillippe 饰）从昏迷中醒来。他在前一晚因胃痉挛被送入医院，结果却发现自己对过去两年里发生的事情全无印象，而记忆仍停留在2000年。在此期间，美丽温柔的克莱尔（莎拉·波利 Sarah Polley 饰）和自称妻子却非常冷漠的安娜（佩帕·佩拉多 Piper Perabo 饰）前来探望西蒙，两个女人的言谈举止和对过往的描述令他倍感不安。西蒙认为自己正陷入一场阴谋之中，似乎有人正加害于他。他坚持要做一次全身检查。然而当他再次醒来时，却发现自己回到了2000年的7月3日，这次颇为诡异的时空跳跃也让西蒙切实回想起这两年间所发生的一切…

简介：

影片改编自爱德华多·德·菲利波创作的同名舞台剧，讲述那不勒斯是安东尼奥·巴拉卡诺的家乡，安东尼奥又是阿德里尤尼萨尼塔的市长，这位年轻、充满活力还喜欢文身的市长总是依照自己的规则来做事。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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梅（凯丽·贝格朗德 Kelli Berglund 饰）和盖比（琪娜·安妮·麦克兰 China Anne McClain 饰）是两个古灵精怪的高中二年级女生。热爱科学的两人脑袋里整日里飘荡着稀奇古怪的念头，这一次，她们联手设计出了一台能够改变人类行为模式的机器，两人决定在一个名叫阿尔伯特（马歇尔·威廉姆斯 Marshall Williams 饰）的英俊男孩身上做实验，将他改造成一名完美男友。

简介：影片改编自荷兰创畅销小说，讲述了癌症患者苏菲·史戴普勇敢面对病魔，用九顶假发体验九种不同的精彩人生的故事。苏菲(Sophie van der Stap)1983年出生于阿姆斯特丹，因热爱旅行，决定攻读国际政治学系。于2005年初，被诊断出罹患罕见的癌症──横纹肌肉瘤──她的肺部充满大大小小的肿瘤。除了化疗，还得接受放射治疗。为了记录这段岁月，苏菲开始在部落格上分享自己的抗癌点滴。