巴比伦故事

简介：

吴达是“准时达”快递公司的一名速递员。热情平和的生活态度，不仅让师范学校毕业的吴达每天都挂着灿烂的笑容，还让吴达觉得生活如此的美好，尽管每天穿梭于火炉一样的江城，其中的酸甜苦辣只有夜阑人静疲乏不堪时体会得最为深刻。对吴达来说，保持快乐消除疲乏最好的办法就是唱歌。吴达喜欢唱歌，尤其喜欢跟着MP3唱自己喜欢的歌。与吴达清贫、辛苦，却平和、快乐形成鲜明对比的，是法律系女大学生简小橹。 　　出生于优越家庭的简小橹，为了实现做歌手的梦想不惜休学。但一次次的失败极大地打击着小撸的自信。离异的家庭环境，遭受打击的人生自信，使得小撸整天闲散在家，除了睡觉，就是外出闲逛。一个偶然的机会，吴达在江边认识了独自对江放歌的小撸。基于唱歌的共同爱好，年龄相仿的吴达和简小撸从此成了朋友。全国性的“想唱就唱”选拔赛开始后，吴达前来动员小橹报名参赛。想起此前一次次渴望成功的努力被失败摧毁得体无完肤，简小橹胆怯了，胆怯的背后，是想唱而不敢唱的矛盾挣扎。 　　一次次劝说简小橹参赛，简小橹都不参加，吴达毅然报名，参加海选。虽然吴达的歌声还不具备登台参赛的水平，有些音调甚至还不在谱上，但吴达自信的笑容和年轻人应有的热情深深地感染着评委和观众，成功闯过海选的前三轮。吴达的每一次成功，都触动着暗中关注的简小橹，让简小撸为吴达的表现感到骄傲，也为自己的胆怯感到懊悔。 　　江城地区最后一轮比赛开始时，吴达邀请小橹去现场做自己的亲友团成员。轮到吴达上场时，吴达出人意料地以参赛曲目是男女二重唱为由，邀请简小橹上台共同演唱由简小橹作词作曲的歌曲《用心歌唱》。为了能让简小橹在评委和观众面前尽情地展现自己的歌唱才华，吴达在整个演唱中始终没有出声，把所有的机会都留给了简小橹。 　　一个月以后，简小橹不仅录制了自己的首张个人专辑，还重新回到了学校。当小撸去公司找吴达时，吴达的同事告诉小撸，由于家乡师资力量匮乏，吴达启程回家，准备去家乡教书。小橹赶来人流攒动的火车站。检票口，吴达抗着行李包，嘴里还在哼唱着那首《用心歌唱》，脸上依然是阳光般的青春灿烂。

简介：

葛芮丝拥有一个表面令人羨慕的家庭，直到有一天，她目睹丈夫在大庭广众下拥吻一名女子，她的世界仿佛被诅咒般变成一场可怕的灾难。面对爱情走私的老公，她要如何力挽狂澜？

简介：

山东小子马永贞（陈观泰）的拳脚功夫虽十分了得，但因属无名小辈，初到十里洋场的旧上海的他也只能凭借过人力气做苦力。因为秉性善良，路遇不平事时马永贞会拔刀相助，令某歌女（井莉）对他暗生好感，也因此得以成为上海滩风流倜傥、武艺高强的黑道“不小人物”谭四（姜大卫）的好兄弟。                                    
因为对谭四成就的羡慕，马永贞决意凭自己的拳脚打出一片天下来，并渐渐如愿以偿。可惜江湖险恶，他没想到地盘逐渐扩大的自己和谭四成了杨老板的眼中钉。不久，他目睹谭四为杨老板所杀，决心为谭四报仇，然而他的仗义和功夫并不能玩转江湖的游戏规则。

简介：

在一个私密的空间里，凯特不仅与观众面对面，还在她荒诞的表演中展现了自己的镜像。

简介：

暂无简介

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：马洛（迪克·鲍威尔 Dick Powell 饰）是一名独来独往的私家侦探，某日，马里特（Douglas Walton 饰）找到了马洛聘他当自己的保镖，结果马洛却莫名其妙的挨了一顿打。之后，一个叫安（安妮·雪莉 Anne Shirley 饰）的女孩现身，她告诉马洛，他所遭遇的一切和她的继母格雷尔夫人及其所拥有的翡翠有着千丝万缕的关联。对翡翠深感好奇的马洛决定将这一连串的事件调查个水落石出。　　在安的协助下，马洛对事件的全貌渐渐的有了了解，而隐藏在背后的，是安的父亲（迈尔斯·曼德 Miles Mander 饰）。不仅如此，不久之前，马洛受雇寻找一个名叫维尔马的女子的下落，这名女子竟然也被牵连进了翡翠的案件之中。

简介：

讲述一群彼此选择为家人的朋友，如何在家庭期待、酷儿身份与文化认同的冲突中，经历各种意外与感动。安琪拉（凯莉·玛丽·陈 饰）与伴侣李（莉莉·格莱斯顿 饰）因试管婴儿疗程屡屡失败，却无力负担新的疗程费用。而他们的好友珉（韩基灿 饰），虽是跨国企业家族的隐藏继承人，坐拥丰厚财富，却因学生签证即将到期而陷入困境。当他的男友克里斯（杨伯文 饰）拒绝求婚后，珉灵机一动，向安琪拉提出一桩交易——只要她愿意与他假结婚，助他取得绿卡，他便资助李的试管婴儿费用。然而，他们原本打算低调进行的计划，却因珉的奶奶（尹汝贞 饰）突然从韩国飞来探访而彻底失控。这位精明的老夫人不仅对孙子的婚事半信半疑，还坚持要为他们办一场盛大的传统婚礼，让这场“交易”瞬间变成一场盛大而混乱的囍宴。随着婚礼逼近，两对情侣的感情与关系也面临前所未有的挑战——当承诺、家人与自我认同交织在一起，他们是否能勇敢地面对内心真正的渴望？

简介：

尽管存在许多分歧，受疾病困扰的创作歌手卡西和陷入困境的海军陆战队员卢克同意仅出于利益而结婚。但是当悲剧发生时，真实和虚假之间的界限开始变得模糊……

简介：

秦岭山脉的一个村庄里，住着月月父女俩。天大旱，地里的庄稼全让太阳晒蔫了。从小和月月一起长大的才才来到他家，帮助月月挑水浇地，不辞辛苦。同村的门门从江那边借来一台抽水机，他对月月讲，用它浇地就不发愁了。才才和月月爹认为农民就是土命，一桶一桶地挑水比什么都实在。可是抽水机的实用使得月月爹改变了想法。门门向月月表达的爱情，于是门门和才才产生了矛盾。月月穿上了门门给买的晴纶衫，导致了她和才才的分手。但是月月并没有跟门门走，她希望两个人的优点能合起来。

简介：

《音乐如何获得自由》讲述了北卡罗来纳州谢尔比市CD工厂工人戴尔·格洛弗扣人心弦的真实故事。他与一群青少年黑客合作，引领了音乐盗版革命。影片探讨了盗版集团的兴衰、法律纠纷、联邦调查局的调查以及对艺术家和高管的影响。它深入探讨了音乐行业的秘密历史以及音乐盗版的真正始作俑者。影片由Method Man旁白，并采访了埃米纳姆、50 Cent、罗西·迪亚兹、提姆巴兰等人，捕捉了传统音乐发行与数字革命之间的冲突。

简介：

16岁的来春（李亦捷 饰）有两个妈妈，当年爸爸“黑面”入赘大妈家却因为大妈不能生育，于是又娶了小妈。来春很享受这个大家庭里家人的关心，但有时她又觉得很有压力。来春意外怀孕之后，男友便消失了，但阿春却固执的坚持要把小孩生下来。爸爸因为过度饮酒而病危入院，整家人乱作一团，面对家庭的变故，来春好像一下子长大了。她渐渐理解了对自己要求严苛的小妈，而且也学会照顾和体谅家人，同时，一股温暖的感觉在她的体内伴随着孕育的生命一同成长……
　　本片在2010年第47届台湾金马奖获得14项提名，并最终囊获包括最佳剧情片在内的多项大奖。