天才小捣蛋
4.0 |05月20日 |片长81 |正片 |共1集
简介:

约翰·瑞特、艾美·扬斯贝克与杰克·华登主演这部爆笑喜剧,片中充满无厘头的幽默。善良的班·西利(瑞特饰)与他攀高结贵的妻子芙洛(扬斯贝克饰),领养七岁的朱尼尔(麦可·奥立佛饰),想让生活更快乐。但不久朱尼尔将普通的露营旅行、单纯的生日派对,甚至小联盟棒球赛,变成惨不忍睹的恶梦。班认为他的新儿子只是缺少关爱,于是容忍朱尼尔惹是生非,但容忍是有极限的。正当班要采取激烈行动,才发现这个小恶魔的内心是渴望关爱的天使。这部讽刺喜剧描述现代家庭生活。

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  一年一场风,从春刮到冬,从春种到夏,到秋一场空。这是流传在毛乌素沙漠的一首歌谣,是老百姓对当地恶劣自然环境的无奈和叹息。石光银就出生在这个黄沙漫漫的不毛之地。在石光银早年的记忆里,不到三四年,黄沙就要埋没一次房屋,小时候他跟随父亲搬了九次家,都是为了躲避风沙的侵蚀。7岁那年,石光银和邻居家五岁男孩在野外放牲口,忽然沙尘暴席卷而来。狂风呼啸,遮天蔽日,天空一片漆黑,两个小伙伴瞬间被沙尘吞噬了。风沙过后庄稼被连根拔起,房屋被吹倒在地,草原被淹埋殆尽。三天以后,家人在30多里地外找到了石光银,但邻家男孩已不见踪影。石光银从此立下志向:我要跟沙子作斗争,斗一辈子。从18岁担任村大队党支部书记那天起,石光银就开始了与风沙的斗争。一次失踪、九次搬家的痛苦记忆,激励着他要跟风沙斗争到底。1984年,国家出台政策,林场、荒山、沙地,个人可以承包治理。石光银第一个站出来,联合七户人家组建了一个治沙公司,承包了三千亩沙地,成为全国个体承包治沙第一人。从此拉开了治理荒沙的序幕。为了筹集资金采购树苗,石光银趁婆姨不在家,偷偷将家里的84只羊和1头骡子赶到集贸市场。走到半路,婆姨和孩子追上来哭天喊地,跪在他面前,求石光银不要卖牲口,全家人的所有开销都靠它们呀!石光银说:你这婆姨,自己吃的沙子还不够,还要让子子孙孙吃下去?这恶沙不除,穷根不拔,我石光银枉活一世!为了治沙,石光银举家搬到风沙最大的四大号村;全乡干部群众上下议论纷纷。面对家人的担心以及亲朋好友的好心劝阻,石光银治沙的决心没有动摇。周围人说:石光银疯了吧?在风刮沙动的荒沙梁上栽树,就是给沙窝里撒钱,撒出去容易,收回来难。但石光银不为所动。那年春天,石光银带领七户人家齐上阵,在三千亩荒沙地上全部栽上旱柳、沙柳、杨树。这年天公作美,雨水好,树木成活率达到85%以上,三千亩荒沙变成绿洲。这次成功坚定了石光银治沙的壮志雄心。接着,他与国营长茂滩林场,签订了承包治理5.8万亩荒沙的合同。面对乡亲们质疑的声音,他在海子梁乡政府的门口贴出了招贤榜,榜告四方父老乡亲:有人愿来与我一起治理长茂滩荒沙者,不分民族,不分身份,山南海北的,一概欢迎。

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更新时间:05月20日
主演:何雨晴,万思维,刘惠,孙桂田,彭博
简介:

童子山(万思维 饰)是青年知识分子,下放到江南偏远的山乡接受再教育。生活的突变使得他心灰意冷,性格变得沉闷和颓废。他在一次繁重劳动中差点丢掉性命,幸得纯美善良的莲妹子相救。之后,童子山被分派到更偏僻的山村彭家湾小学做代课老师,而莲妹子(何晴 饰)恰好在这个学校做饭。
宁静美丽的山村使得童子山精神 得以放松,莲妹子和大队书记彭永贵以及众乡民的淳朴让他倍感温暖,让他重拾了生活的信心。然而面对莲妹子的爱意,他却不知所措,他害怕会连累莲妹子。加之,公社书记刘国发(刘惠 饰)的小舅子邮递员徐冬青(彭博 饰)正对莲妹子仰慕已久,而且双方的长辈都正在力促这门亲事。
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丹麦小村教堂
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9.0
已完结
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9.0
更新时间:04月17日
主演:Ib Koch-Olsen
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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1947
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