澳门之味

简介：

18世纪后期，朝鲜淑宗时代，退妓月梅之女成春香（李孝菁 饰）活泼美丽。端午佳节，前院副使公子李梦龙（曹承佑 饰）遇见荡着秋千玩耍的春香，大为着迷。一个是风流公子，一个是美丽少女，两人一见钟情，私定终身。但好景不长，梦龙之父因政绩显著，升迁至大内，梦龙无奈之下只得与爱人分别，随父共赴汉城。临行前梦龙许诺，通过殿试之后将会来迎娶春香。

简介：

暂无简介

简介：

15 岁的波多黎各女孩丽莎·维莱兹克服了性别歧视、种族歧视和乳腺癌，成为拉丁流行音乐的先驱，创作了《你能感受到节拍吗》等热门歌曲，激励了一代又一代的拉丁裔艺术家。

简介：

贝丝被追挑起了家庭生活的重担，她深受的丈夫不幸去世职留下了可与贝丝相依为命的两个男孩和一屁股债务，母子三人只得搬去巴尔的摩开始了艰辛和困难的新生活，展开了一场和命运相抗争的打拼。。。。。。。。。

简介：

灵璧奇石“五岳钟灵”，因为苏东坡品鉴而号称天下第一奇石。 在灵璧县衙前举办的赛石大会上，民女张钟灵突然现身，因为奇石“五岳钟灵”的归属，状告当乡富豪王百石。王百石极力争辩，似乎也能自圆其说。结果，知县认定张钟灵属于无赖讹诈，意欲责罚。这被乔装富商暗访的乾隆看在了眼里，乾隆指使美妃出面，保下民女张钟灵。 张钟灵非常机智，给冒充富商的乾隆提供了一些有力证据，证明父亲确属王百石害死，“五岳钟灵”确属他们张家所有。并对假扮富商的乾隆承诺，若能为父申冤而自己愿以身相许。乾隆通过明察暗访，认定张钟灵所言属实。在铁证如山的情况下，支持张钟灵二次上告。 知县沈布休二审奇石。张钟灵证据确凿，有理有据。不料，王百石准备更加充分，他当众陈述，振振有词，有理有据。理由更加充足，证据更加坚实。知县只好声明要惩罚张钟灵。知县已经掌握了所有证据，占有了所有优势，果然，致使在场所有倾向张钟灵的人都失望了。 因为知县步步为营，已把案子做成了铁案死案。乾隆万般无奈，乾隆为了解救张钟灵，同时平息民愤，只好派太监得儿带大内侍卫进一步探查证人、证据，乾隆自信他沈布休审案，不可能万无一失。 乾隆三审奇石。张钟灵得知富商就是当朝圣上，更是闯衙告御状。张钟灵进一步展示新的真凭实据，致使王百石无言以对。眼看着张钟灵稳操胜券。不料，知县挺身而出，当面坦然承认，此案与王百石等人无有干系，上下里外，都是自己一人策划并催促实施。愿意被杀头，但是，要说出真正的原因。乾隆答应。于是知县细说缘由：原来，他是为了乾隆大清江山的安危考虑，不得不尔。他申述的理由，居然说服了乾隆。 然而，张钟灵据理力争，并不认同这一“道理”。张钟灵突然亮出来自己的杀手锏，却发现乾隆上当，知县沈布休和王百石奉献给皇上的“五岳钟灵”奇石竟然是个赝品。那真正的“五岳钟灵”奇石又藏在哪里呢？ 聪明圣上的发现了深藏在已经死去的张老员外内心的一个秘密。

简介：

孤儿西蒙（方·基默 Val Kilmer 饰）幼时生活在教会孤儿院中，那里留给他的，除了施洗者约翰的新名字与严苛的惩罚以外，还有撬门开锁的能力。多年以后，西蒙已经是著名的大盗，他计划筹措5000万之后洗手不干，享受人生。西蒙受命远赴莫斯科，盗取了政党领袖兼石油寡头伊万（拉德·舍博德兹加 Rade Serbedzija 饰）的芯片，自此与伊万父子“结缘”。西蒙为高额报酬再度接受任务，而这次的雇主居然是伊万父子，他们命西蒙盗取足以解决能源危机的核技术。西蒙乔装接近掌握核技术的艾玛博士（伊丽莎白·苏 Elisabeth Shue 饰），与博士暗生情愫的同时，应付着伊万父子的棘手任务……

简介：小男孩托马斯（卢克·瓦德-维尔金森 Luke Ward-Wilkinson 饰）的父亲（艾略特·考万 Elliot Cowan 饰）因战牺牲，生意无法打理，托马斯的母亲（朱莉·理查德森 Joely Richardson 饰）不得不带他投奔乡下的婶婶，途中托马斯不小心丢失 了他的木制神像，十分伤心，因为那是他和他死去父亲唯一的联系.后来，他的母亲听说当地有一位木雕手艺很好的人，他就是图米（汤姆·贝伦杰 Tom Berenger 饰），图米是一个性格怪异，不爱与人交流的人，在与托马斯的相处之间，图米渐渐地打开了自己的内心世界...

简介：12岁的小女孩乔治亚失去了母亲独自过日子，从未出现的父亲突然闯入她的生活。1994年出生的导演夏洛特·里根自编自导的长片处女作，她镜头下年幼丧母的小女孩不再是可怜兮兮的社会批判题材主角形象，而是个古灵精怪充满幻想的小“社牛”，一向以炫酷帅哥形象出现的哈里斯·迪金森（《悲情三角》）饰演父亲，两人将一出父女重逢后相互慰藉、走出悲恸的戏码演绎得轻松无厘头又不失温情。荣获2023年圣丹斯电影节世界电影剧情片单元评审团大奖、入围2023年北京国际电影节主竞赛单元。

简介：

美国人工作越来越卖力，工资却越来越低。富人越来越富，而穷人则逐渐成为美国劳动力的标杆。《美国梦及其他童话》开启了一场对话，大多数美国人，无论贫富，都难以坦诚地谈论这个话题——阶级平等和我们价值观的转变。美国梦，曾经是我们国家的承诺，如今却在我们眼前化为泡影。这种情况正在变得愈发个人化。2018年，华特·迪士尼的后代阿比盖尔·迪士尼在Facebook上收到一位迪士尼乐园“演员”的求助信息，寻求提高薪酬。阿比盖尔前往加州阿纳海姆探望他的家人，亲眼目睹了他和许多在“地球上最快乐的地方”工作的人如何靠汽车生活，依靠食物银行来养家糊口，而与此同时，迪士尼首席执行官鲍勃·伊格尔正稳步迈向成为新晋亿万富翁。这一切是如何发生的？《美国梦及其他童话》是迪士尼大胆尝试公开审视其家族遗产的一次尝试。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

年近七十的本（罗伯特·德尼罗 Robert De Niro 饰）曾经是一位精明强干，事业有成的商人，最终，他还是和大部分老年人一样开始了平淡的退休生活。本对忙碌而又充实的过去无比怀念，孤独与内心里蠢蠢欲动的渴望让他做出了重回职场的决定，成为了年轻的朱尔斯（安妮·海瑟薇 Anne Hathaway 饰）手下的一名小小员工。

简介：

五代十国，纷纷扰扰，争斗不休。