杀马特我爱你
6.0 |05月20日 |片长125分钟 |正片 |共1集
简介:

2017年,李一凡开始拍摄杀马特。他从深圳开始,在深圳、广州、中山、惠州、重庆、贵阳、黔东南州、黔西南州、毕节、安顺、昆明、大理、玉溪、曲靖,以及红河州,共计完成杀马特采访67个,网络采访11个。在拍摄期间,李一凡又从杀马特和其他工人手中,通过直接购买手机视频等方式,收 集了工厂流水线及工人生活录像915段。
  这是一次详实且残酷的调查梳理行动。五颜六色的头发下面,李一凡重新检讨了城乡关系里,关于社会底层工人的生存代价和权利困境的根源。当越来越多的杀马特消失在人们视线里,而曾经或依旧是流水线工人的他们,和今天仍然不断涌入城市的打工者一样,依然面临着实质上的权利不平等,依旧笼罩在制度性排斥的阴影里。
  杀马特音译自英语“smart”一词,泛指一种中国城市年轻工人中曾经风靡一时的亚文化潮流,以夸张而廉价的服饰、发型著称。艺术家、纪录片导演李一凡花费数年时间实地接触和研究“杀马特”群体,最终用访谈和工厂场景创作出一部长片,并在展览现场用数百部二手手机播放购买自工人自拍的生产场景。

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更新时间:06月04日
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简介:

《非洲猫科》是一部讲述发生在非洲平原上的一个有关野生动物的真实故事的影片。由塞缪尔·杰克逊担任旁白。影片的主角是两个家庭,三只大型猫科动物,分别是未成年的母狮玛拉、成年雄狮毒牙以及雌性非洲猎豹希塔。他们在非洲平原上的爱、对族群的忠诚、猎食、离家、成长以及争斗和死亡组成了一部波澜壮阔的野生动物的史诗。玛拉是一只未成年的小母狮,只有6个月大。它的母亲莱亚正在用尽浑身解数照顾自己的女儿。玛拉活泼好动,是河岸狮群中的乖宝宝,它的母亲莱亚是狮群中最有经验的猎手。不过一次意外的负伤终结了莱亚“捕猎能手”的地位。母亲的地位岌岌可危,形单影只的玛拉也暴漏在了狮群的危险之中。而玛拉也只有尽快学会捕猎才能巩固自己在狮群中的地位并且填饱雄狮和自己的肚子。可是时日无多,母亲身负重伤,它未来的生活还是一个问号。而且,另一个狮群中的雄狮在就开始算计着这对母女了。
成年雄狮毒牙是狮群的首领,它得此名称的原因是在一次打斗中,它失去了自己的一颗犬齿,现在只有一颗犬齿孤零零地留在它的嘴里。不过这并不是毒牙最大的心患,他的首领地位正在受到另一个狮群的觊觎。觊觎毒牙狮群和地盘的是凯利,它和它的同伴们住在河流的北岸,虽然有属于自己的领地,但是大型猫科动物的一个特性就是争夺地盘。它们一次一次地试探毒牙的实力,一次一次地妄图扩张自己的版图。在崇尚绝对力量的自然界,软弱、负伤的毒牙还有保护自己狮群的可能性么?它虚弱的肢体是不是正在一步一步地把狮群推向险境的边缘?希塔是一只漂亮的非洲猎豹,它是一个单亲妈妈,膝下有几个孩子。尚未成年的这些小家伙还没有意识到自然界的危险。而希塔只有孤零零地复杂打猎和照料自己的孩子。为了找到吃的东西,它不得不长途跋涉去找食物。可能离开家太久、太远,对于并不擅长长跑的猎豹而言并不是一个好主意……

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非洲猫科(原声版)
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丹麦小村教堂
7
9.0
已完结
丹麦小村教堂
9.0
更新时间:04月17日
主演:Ib Koch-Olsen
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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1947
丹麦小村教堂
主演:Ib Koch-Olsen
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