黑司祭们

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奇艺坊马戏团在马来西亚巡回演出，团员们偶然听说二战时期日本人留下的宝藏的消息。在飞刀高手张大初（邹兆龙 饰）的带领下，他们一行五人杀害寻宝者，一心想成为飞刀行家的小人物桑尼（郭富城 饰）尾随前来，亲眼目睹大初一众行凶全过程。他被迫随众人下洞，却无意开启日军留下的生化武器。经过一番难以想象的艰苦磨难，桑尼侥幸逃生，却变成奇怪的摸样。

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　　高仁杰（赵擎 饰）、梅晓阳（林继东 饰）、李世民（房祖名 饰）是同一家宠物医院的同事，私交甚笃。智多星单李世民依然单身，却常常给另外两位已婚男出各种点子。三人因工作结识了冬花（邢珊 饰），并经过李世民的精心组织认识了冬花的闺蜜——白白（沈陶然 饰）、雅雯（张娜拉 饰）。李世民转而爱上了白白，而高仁杰和雅雯陷入了热恋，冬花则和梅晓阳一夜春宵。一夜之后，三个男人各自有了心事。高仁杰游弋在妻子吉吉（石琳 饰）和情人雅雯之间乐享齐人之福，李世民和白白陷入热恋，而梅晓阳却因疏忽与冬花冷战。然而，婚外情再怎么缜密地掩盖还是会露馅，三位花心的男人终于还是要面对各种恶果，在亲情、爱情与家庭之间做出痛苦选择

简介：她绣的龙袍巧夺天工，却引来祸事不断！　　她外表看似天真无邪，却背负血海深仇！　　两个女人，亦敌亦友，亦正亦邪！　　究竟她们是真心相待，还是各怀鬼胎？

简介：代号猎鹰的安迪（刘德华 饰）是知名冒险专家，连警方也常拜托他出面解决棘手问题。安迪与搭档碰撞球（王晶 饰）总能利用身手与技术完美达成任务。安迪的朋友沈昆因找到魔翡翠遭到苏联克格勃的追杀，遂在希腊向安迪求助。安迪与小外甥彬彬（小彬彬 饰）、碰撞球一行来到雅典，却阴差阳错与沈昆错过，后者将魔翡翠落在小小彬手中。另一方面，为了阻止克格勃抢夺魔翡翠，国际刑警组织的探员一直与精通中国文化和功夫的克格勃首领力战。小小彬无意中发现了魔翡翠具有语言能力和超能力，并与其成为了朋友。在安迪、克格勃和国际刑警三方的争夺中，他们发现魔翡翠原来是属于外星人……

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圣杯不是黄金，也不是古代智慧书籍，而是 3000 年前木乃伊的 DNA，它或许能治愈疟疾

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两个好朋友将在美国的高中生涯中学会爱情、友情和亲情中的责任

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　　影片讲述一位抢劫犯为保住他的钱包殴打一位老太太，这次事件让他想起过去的犯罪记忆，从此他无法继续安安心心地过正常日子。                                                                    　　阿根廷的失业青年米盖尔干起了抢劫的勾当。他和狐朋狗友骑着摩托车抢走了一个刚刚走出家门的老太太的包。老太太死死地拽住包不肯撒手，他们的车子拖着老太太开了很远...知道老太太撒手倒在地上。事后，米盖尔有些担心老太太被自己弄死了，回过头去医院找到老太太时，老太太已然失忆...关于善良和救赎的探讨，再加上一辆摩托车。

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本·贝洛服刑三年后出狱，查理·洛根正在等他。他不是为了拥抱他，也不是为了欢迎他。只是想让他知道，虽然有点直白，但他不想再听到他的消息。他的愿望无法实现，因为这两个不共戴天的敌人不断重逢，一起抢劫银行，经历了无数的冒险，却彼此恨之入骨。

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　　车房修理工阿火(成龙 饰)脾气火爆，他不仅身手敏捷，而且开车技术一流，只因家中贫穷才一直没有实现当赛车手梦想。这天，警方找到他希望他能帮忙逮捕偷车集团的首脑库克。因为库克开车技术一流，警方多次设路障追截都一无所获。阿火欣然答应。在阿火的帮助下，警方费了九牛二虎之力终于捉到了库克。但是库克在拘留期间，被集团同伙救走了。偷车集团还袭击了阿火的车房，阿火侥幸逃过一劫，两个妹妹却深受重伤。随后库克加入了日本某车队，并约阿火在日本赛道上一决高下。为了报仇，阿火毅然参赛!

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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基里尔年近四十，生活中他总是尽量逃避各种义务。他从未结过婚，也没有孩子，曾经赢得过欧洲男女混合摔跤冠军，但他对胜利不再感兴趣，只想登上擂台赚钱。今天和昨天没什么不同：家里的一次性餐具，一次性女人，从未想过未来。然而，一天早上，基里尔在厨房里遇到了五岁的维多利亚，她是他一夜情对象的女儿。女孩告诉他，他现在是她的父亲了，她将和他一起生活，因为她的母亲把她留给了他。基里尔打听了女孩的身份、来自哪里以及她是否是他的女儿，并逐渐开始照顾她，感到对她有责任，最终自己也成长为一个成年人——去战斗，去赢得胜利。