远古启示录 第一季
10.0 |05月20日 10:43 |片长30分钟 |第8集完结 |共8集
简介:

 假如我们所熟识的史前史全都是错误的呢?学者格雷厄姆·汉考克访问了世界各地的考古遗址,调查几千年前的文明是否比我们想象中要先进得多。

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欧洲的某个地方
693
1.0
已完结
欧洲的某个地方
1.0
更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
293
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
脱轨时代
766
1.0
正片
脱轨时代
1.0
更新时间:05月20日 10:22
主演:张静初,潘粤明,吴克群,朱珠,班嘉佳
简介:

八零后的许可(张静初 饰),在某个清晨醒来后,祥装气定神闲的走进民政局,闪婚太老,闪离却还来得及:谁的七年不曾痒一痒。回去的路上更祸不单行的与一辆宝马相撞,回到家的许可这才开始检阅自己的一地凄怆:青春已逝、老公出轨、净身出户、车辆被毁。富二代康少(吴克群 饰)的出现给许可的生活打了一剂强心剂,在无奈的上演了一出“他乡遇故知”的狗血戏码后,两人又几次三番的狭路相逢,许可一步步的发现这个大男孩不羁外表背后柔软又细腻的心,然而瞄了一眼自己的平胸和户口本上的高龄,许可迟迟不敢接招,谁知却又撞上闺蜜毛毛(朱珠 饰)的一见钟情二见倾心三见误终身,这场尴尬无比的三角恋注定要轰轰烈烈的展开。而另一边,气质忧郁的前夫刘光芒(潘粤明 饰),在度过失去婚姻的颓废期后,也在浪子回头的路上亦步亦趋:改掉自己不够浪漫的老毛病,拉拢毛毛为自己制造机会,贿赂鬼精灵的儿子成为自己的“帮凶”,在老房子的窗台,恋爱时的点滴回忆与温馨都在慢慢复苏,许可又将如何选择?独自远走异乡的许可,渴望寻找到内心真实的声音:生命的波澜起伏不定,内心的翻涌置之死地而后生。在洒满日光的海滩,熟悉的面孔再度重逢,阴云过后,阳光终于开启了人生新的一页。©豆瓣

309
2014
脱轨时代
主演:张静初,潘粤明,吴克群,朱珠,班嘉佳
结婚大作战
42
3.0
正片
结婚大作战
3.0
更新时间:05月20日 10:21
主演:安妮·海瑟薇,凯特·哈德森,布莱恩·格林伯格,克里斯·帕拉特,史蒂夫·豪威,坎迪斯·伯根,克莉丝汀·约翰斯顿,迈克尔·阿登,维克多·斯勒扎克,约翰·潘科夫,琼·黛安·拉斐尔
简介:居住在曼哈顿的莉芙(凯特·哈德森 Kate Hudson 饰)和艾玛(安妮·海瑟薇 Anne Hathaway 饰)是一对情同手足、从小一起长大的好姐妹。童年的某天,两人在第五大道的假日大酒店目睹了一场梦幻般的婚礼,从此,在这里举行婚礼的梦想便在她们各自的心中扎下了根。转眼二十多年过去,莉芙成为一名小有成就的律师,艾玛则在一所学校任教,两人也各自收获了美满的爱情。婚期在即,两个女孩子为了婚礼奔波劳碌,并相约担任对方的伴娘。然而令她们想不到的是,两人不仅都以假日大酒店为典礼举办地,而且还请了同一个司仪,更要命的是她们的婚礼都在同一天。这就意味着将有一方做出让步。为了童年的梦想,两个好友互不相让,由此也展开一场激烈且妙趣横生的新娘大作战……  本片荣获2009年青少年选择奖最佳喜剧片女主角奖(Anne Hathaway)。
1659
2009
结婚大作战
主演:安妮·海瑟薇,凯特·哈德森,布莱恩·格林伯格,克里斯·帕拉特,史蒂夫·豪威,坎迪斯·伯根,克莉丝汀·约翰斯顿,迈克尔·阿登,维克多·斯勒扎克,约翰·潘科夫,琼·黛安·拉斐尔
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